Biography: life and films
Since making her screen debut in the early 1990s, Cécile de France
has matured into a fine actress and is now one of Francophone cinema's most
high profile stars. Born in Namur, Belgium on 17th July 1975, she discovered
her passion for the theatre whilst at school and began taking acting lessons
from the age of 15. After attending the École nationale supérieure
des arts et techniques du théâtre in Lyon, she made her stage
debut in the early 1990s and, over the next decade, appeared in several theatrical
productions, including Georges Feydeau's
Dormez je le veux (1996),
Shakespeare's
A Midsummer Night's Dream (1996) and August Strindberg's
Mademoiselle Julie (2001). Her screen career began slowly, with
small appearances in short films and made-for-television movies such as Édouard
Molinaro's film
Nana (2001).
Cécile de France's big break came when Richard Berry gave her her
first lead role in his romantic comedy
L'Art (délicat) de la séduction
(2001). This led Cédric Klapisch to cast her alongside two other
rising stars, Romain Duris and Audrey Tautou, in
L'Auberge espagnole
(2002). This film's success made the actress an overnight star and
it won her the César for Most Promising Actress. Unusually,
she received another César (in the Best Supporting Actress category)
for playing the same role in the film's sequel,
Les Poupées russes
(2005). She was also awarded the Prix Romy-Schneider in 2005.
International celebrity came when she took the lead role in Alexandre Aja's
gory thriller
Haute tension
(2003). On the back of this success, she was given a role in the Hollywood
blockbuster
Around the World in 80 Days (2004), although this proved
to be a major critical and commercial flop.
Over the next decade, the actress was highly sought after by several prominent
film directors, including Danièle Thompson, Xavier Giannoli, Claude
Miller and Clint Eastwood. For Giannoli, she starred alongside Gérard
Depardieu in the acclaimed
Quand j'étais chanteur
(2006), and she partnered Matt Damon in Eastwood's fantasy thriller
Hereafter
(2011). In Jean-François Richet's popular
Mesrine diptych
(2008), she played a notorious gangster's sidekick, and in Stijn Coninx's
biopic
Soeur Sourire (2009)
she turned in a sympathetic portrayal as Jeanine Deckers (the singing nun),
one of her frequent lesbian portrayals. Since 2010, Cécile de
France has restricted herself to just one or two films a year, although she
continues to impress with a wide range of roles in films as diverse as the
Dardenne brothers'
Le Gamin au vélo (2011), Catherine Corsini's
La Belle saison (2015)
and Lola Doillon's
Le Voyage de Fanny (2016).
© James Travers 2017
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