Édouard Delmont

1883-1955

Biography: life and films

Édouard Delmont was a French actor whose birth name was Édouard, Marius Autran. He was born in Marseille, France on 5th December 1883 and died in Cannes, France on 22nd November 1955, aged 71.

His best films as an actor include Jean Renoir's Toni (1935), Jacques Séverac's Firmin, le muet de Saint-Pataclet (1938), Maurice Cammage's comedy Un chapeau de paille d'Italie (1944), Émile Couzinet's Colomba (1948) and Julien Duvivier's Le Retour de Don Camillo (1953).

Édouard Delmont appeared in 83 films.

He has most frequently worked with the following directors: Marcel Pagnol (7 films), Marc Allégret (4), André Hugon (4), Richard Pottier (3), Maurice Cammage (3), Jacques Séverac (3), Robert Péguy (2), Maurice Cloche (2), Marcel Carné (2), Jean-Paul Paulin (2), Jean-Paul Le Chanois (2), Jean de Marguenat (2), Henri Verneuil (2) and Henri Calef (2).

His most frequent genres include: drama (42 films), comedy (24), comedy-drama (11), romance (10) and War (2).

Our average rating for Édouard Delmont over all films is: 2.8

Filmography

Key: a = actor

Mam'zelle Nitouche (1931) [a]

Mardi Gras (1931) [a]

Marius (1931) [a]

Fanny (1932) [a]

Au pays du soleil (1933) [a]

Roger la Honte (1933) [a]

Angèle (1934) [a]

Jofroi (1934) [a]

Le Train de huit heures quarante-sept (1934) [a]

Les Bleus de la marine (1934) [a]

Toni (1935) [a]

Blanchette (1936) [a]

César (1936) [a]

Franco de port (1937) [a]

Hercule (1937) [a]

L'Étrange Monsieur Victor (1937) [a]

Le Chanteur de minuit (1937) [a]

Regain (1937) [a]

Romarin (1937) [a]

Balthazar (1938) [a]

Firmin, le muet de Saint-Pataclet (1938) [a]

La Femme du boulanger (1938) [a]

Le Petit chose (1938) [a]

Le Quai des brumes (1938) [a]

Berlingot et compagnie (1939) [a]

Farinet ou l'or dans la montagne (1939) [a]

Le Déserteur (1939) [a]

Le Héros de la Marne (1939) [a]

Le Paradis des voleurs (1939) [a]

L'Héritier des Mondésir (1940) [a]

La Nuit merveilleuse (1940) [a]

Notre-Dame de la mouise (1941) [a]

Parade en 7 nuits (1941) [a]

Trois Argentins à Montmartre (1941) [a]

Cap au large (1942) [a]

Feu sacré (1942) [a]

L'Arlésienne (1942) [a]

Simplet (1942) [a]

Soyez les bienvenus (1942) [a]

Steibruch (1942) [a]

Adieu Léonard (1943) [a]

La Bonne étoile (1943) [a]

Le Soleil a toujours raison (1943) [a]

Le Val d'enfer (1943) [a]

Mon amour est près de toi (1943) [a]

Picpus (1943) [a]

Port d'attache (1943) [a]

Une femme dans la nuit (1943) [a]

Une vie de chien (1943) [a]

L'Île d'amour (1944) [a]

La Collection Ménard (1944) [a]

Un chapeau de paille d'Italie (1944) [a]

La Fiancée des ténèbres (1945) [a]

L'Affaire du Grand Hôtel (1946) [a]

Le Gardian (1946) [a]

Solita de Cordoue (1946) [a]

La Nuit sans fin (1947) [a]

Ploum, ploum, tra-la-la (1947) [a]

Bagarres (1948) [a]

Colomba (1948) [a]

La Renégate (1948) [a]

Le Dessous des cartes (1948) [a]

Le Destin exécrable de Guillemette Babin (1948) [a]

Deux amours (1949) [a]

L'Auberge du péché (1949) [a]

L'École buissonnière (1949) [a]

L'Homme qui revient de loin (1949) [a]

Les Eaux troubles (1949) [a]

Il diavolo in convento (1950) [a]

La Belle que voilà (1950) [a]

Le Grand cirque (1950) [a]

Au pays du soleil (1951) [a]

Juliette ou La clef des songes (1951) [a]

Trafic sur les dunes (1951) [a]

Éternel espoir (1952) [a]

La Table aux crevés (1952) [a]

Son dernier Noël (1952) [a]

L'Appel du destin (1953) [a]

Le Retour de Don Camillo (1953) [a]

Manon des sources (1953) [a]

Ali Baba et les quarante voleurs (1954) [a]

Le Mouton à cinq pattes (1954) [a]

Les Lettres de mon moulin (1954) [a]



The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright