Biography: life and films
Patrice Chéreau was born in Lézigné,
Maine-et-Loire, France on the 2nd November 1944. The youngest son
of a couple of painters, he became fascinated by film and drama at an
early age and started directing plays at school when he was 15.
He began his long career as a professional theatrical director in 1964,
creating the Théâtre de Sartrouville in Paris in
1966. Having staged his first opera in 1969, he was invited to
work at the Piccolo Teatro in Milan. For the next four decades,
Chéreau would be actively involved in directing plays and
operas, although he also found time to make a dozen or so films which
added further lustre to his reputation.
Chéreau's first film,
La Chair de l'orchidée
(1975) is a stylised thriller oddity adapted from a novel by James
Hadley Chase, a compelling central performance from Charlotte Rampling
making up for a torturously convoluted plot. This was followed by
an intense realist drama,
Judith Therpauve (1978)
featuring a remarkable Simone Signoret. As interesting as these
first two films are, they represent minor entries in Chéreau's
oeuvre and it was not until his third film,
L'Homme blessé (1983),
that the director was able to impose his own auteur identity on the big
screen. Chéreau's most personal work for the cinema, this
compelling film drama won him a César in 1984 for its screenplay
and revealed an actor of considerable promise, Jean-Hugues Anglade, in
the role of a tormented young gay man.
After
Hôtel de France
(1987), inspired by a Chekhov play, Chéreau directed his
best-known film,
La Reine Margot (1994). A
lavish historical drama set at the time of the St. Bartholomew's Day
massacre, renowned for its gory detail, this film was awarded the Jury
Prize at Cannes in 1994. Chéreau received a Best
Director César for his next film,
Ceux qui m'aiment prendront le train
(1998), a thoroughly engrossing ensemble drama featuring a glittering
cast. Then came the aptly titled
Intimacy
(2001), the only film that he made in English, which took the Golden
Berlin Bear at the 2001 Berlin Film Festival.
The trauma of coping with a terminal illness is a subject that
Chéreau handled sensitively in his next film,
Son
frère (2003), winner of the Berlin Silver Bear for
Best Director at the 2003 Berlin Film Festival. This was followed
by
Gabrielle (2005), adapted from
a novel by Joseph Conrad, and starring Isabelle Huppert and his
real-life partner Pascal Greggory. Chéreau concluded his
filmmaking career with his darkest and most pessimistic study in human
desire,
Persécution (2009) with
Jean-Hugues Anglade playing a similarly tormented character to one he
portrayed in his first Chéreau film.
Patrice Chéreau died in Paris, France on 7th October 2013, after
battling against lung cancer for several years, aged 68. His last
work was an ambitious staging of Richard Strauss's opera
Elektra at the Festival
d'Aix-en-Provence on July 2013. Although during his lifetime
Chéreau was widely acclaimed as a theatrical director, it is for
his film work that he will achieve enduring renown - skilfully woven
dramas which dissect the human psyche with clinical precision whilst
revealing a profound, unwavering compassion for his fellow man.
© James Travers 2013
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