84 Charing Cross Road (1987)
Directed by David Hugh Jones

Drama / Romance

Film Review

Abstract picture representing 84 Charing Cross Road (1987)
Helene Hanff's autobiographical 1970 novel 84, Charing Cross Road is beautifully reworked in this poignant but witty film which has a particular resonance for those who cannot resist the mystical allure of second-hand books.  Anne Bancroft and Anthony Hopkins are a perfect casting choice for the chalk-and-cheese protagonists who embark on the most unlikely of romances, endlessly exchanging messages with one another without ever actually meeting, bound to one another by a shared love of literature and musty old books.  Hopkins' cool British reserve, emphasised by his unwavering politeness, makes a jarring contrast with Bancroft's abrasive feistiness, but whilst the two actors never appear on screen together, they appear to have an intimate proximity to one another, as if they were a kind of 20th century equivalent of Abelard and Heloise.

84 Charing Cross Road does not only tell a moving tale of unrequited love, subtly revealed in the matter-of-fact correspondence that zips back and forth across the Atlantic, it also effectively contrasts American and British cultures from the late 1940s to the early 1970s.  David Hugh Jones's direction is understated and has a slight tendency to veer towards the theatrical in parts, although this generally plays to the strengths of the two main actors, whose spellbinding performances are easily among their finest.  Bancroft does a remarkable job of humanising her mildly irritating character (it is incredible to think that anyone could have fallen for someone so ungraceful and self-centred), but it is Hopkins who ultimately steals the film, in a role that is very nearly a dry run for the part he played so magnificently in The Remains of the Day (1993).  With an exemplary supporting cast and a script honed to perfection to back them up, Hopkins and Bancroft excel in what is assuredly one of the most original and engaging romantic dramas of the 1980s.  Would you believe it was produced by Mel Brooks?
© James Travers 2013
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In 1949, Helene Hanff is an aspiring writer who scrapes by as a script reader in New York City.  Her main passion in life is old books, preferably out of print volumes of obscure work by English writers.  Seeing an ad in a review magazine, she writes to a London-based book shop, Marks & Co, requesting some rare publications.  To her surprise, the shop's manager, Frank Doel, dutifully supplies her with some of the books she requested and eagerly sets about looking for the others.  Over the next twenty years, Helene keeps up her correspondence with Frank, and gets to know his colleagues and wife.  She sends Frank and his entourage parcels of food that is hard to come by in post-war Britain, and in return they gratefully send her gifts.  Helene's intentions to fly to England so that she can get to know Frank in person are endlessly thwarted, but the writer knows that one day she will make a pilgrimage to the little book shop, at number 84, Charing Cross Road...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: David Hugh Jones
  • Script: Helene Hanff (book), James Roose-Evans (play), Hugh Whitemore
  • Cinematographer: Brian West
  • Music: George Fenton
  • Cast: Anne Bancroft (Helene Hanff), Anthony Hopkins (Frank P. Doel), Judi Dench (Nora Doel), Jean De Baer (Maxine Stuart), Maurice Denham (George Martin), Eleanor David (Cecily Farr), Mercedes Ruehl (Kay), Daniel Gerroll (Brian), Wendy Morgan (Megan Wells), Ian McNeice (Bill Humphries), J. Smith-Cameron (Ginny), Tom Isbell (Ed), Anne Dyson (Mrs. Boulton), Connie Booth (The Lady from Delaware), Ronn Carroll (Businessman on Plane), Sam Stoneburner (New York Bookseller), Charles Lewsen (The Print Buyer), Bernie Passeltiner (Willie, the Deli Owner), Michael John McGann (Maxine's Stage Manager), Gwen Nelson (Bill's Great Aunt)
  • Country: UK / USA
  • Language: English
  • Support: Color
  • Runtime: 100 min

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright