Film Review
Two of the biggest icons of Hollywood's Golden Age - James Cagney and
Humphrey Bogart - share the limelight (the first of three films where
they appear together) in this memorable crime drama,
directed by Michael Curtiz (of
Casablanca
fame). After a string of gangster films in the 1930s, which
played fast and loose with Hollywood's strict Production Code,
Angels with Dirty Faces came as a
sort of grudging
mea culpa.
It tries to bring a dimension of social morality into the gangster
thriller genre by showing how easy it is for people - particularly
young men from disadvantaged backgrounds - to be corrupted by the wrong
kind of role models.
The moralising is sincere but it is also a little clumsy, to the extent
that the film occasionally appears to have something of a crisis of
identity. On the one hand, the film wants to condemn the
negative influence gangster "heroes" may have on society, but on the
other it
is a gangster
film, having a charismatic and sympathetic gangster as its main character. It's rather like the owner of a distillery giving a lecture
on the harm that alcohol consumption can cause, whilst handing out free
bottles of whisky. This in-built dichotomy does, however,
have a positive effect, in that the film is far less predictable than
other contemporary gangster films, and the characters are certainly
more complex and interesting.
The film offers James Cagney his best role up until this point (he had
by this stage in his career become pretty well typecast as the
archetypal underworld "tough guy"). The part of the multi-faceted Rocky
Sullivan allowed Cagney to turn in one of his best performances - one
that won him the New York Film Critics Circle Award in
1939. The juvenile delinquents who end up as Cagney's
willing disciples were played by the Dead End
Kids, a group of young actors from New York who first appeared together
in the Broadway play
Dead End
in 1935 before going on to feature in a number of major Hollywood
movies of this period.
What makes
Angels with Dirty Faces
such a compelling and memorable film is its striking sense of realism,
achieved through some exemplary performances, meticulous set design and
moody photography.
The film's dramatic ending - shocking and poignant in equal measure -
is one of the greatest of any Hollywood movie, and a tantalising
foretaste of what Michael Curtiz would achieve with some of his other
great films.
© James Travers 2008
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Next Michael Curtiz film:
The Adventures of Robin Hood (1938)
Film Synopsis
Jerry Connolly and Rocky Sullivan are two kids growing up in a poor
area of New York. Their first attempt at robbery ends in
failure - Jerry escapes but Rocky is caught and sent to a reform
school. Whilst Jerry becomes a priest, Rocky is lured deeper into a life
of crime, and inevitably ends up in jail. Fifteen years
later, Rocky returns to his home district to settle some unfinished
business with crooked lawyer James Frazier. The latter is
persuaded by his associate, Mac Keefer, that Rocky is a nuisance that
must be eliminated...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.