Film Review
Whilst some will doubtless question the morality of lionizing a
convicted killer, most will see
Birdman
of Alcatraz for what it is, a deeply moving account of a man
fighting to retain his identity and individuality within the confines
of an oppressive, overly authoritarian prison system. Burt
Lancaster's sympathetic portrayal of Robert Stroud (the man whose real
life experiences are the basis for the film) makes this a compelling
and poignant character study which delivers a fair case for reform of
the penal system in the United States.
Critics of the film have pointed out that Stroud was not the likeable
humanitarian that Lancaster portrays but a hardened psychopath who
showed no remorse for his crimes. In a sense this is irrelevant
because the film is not really about Stroud but about how the prison
system is failing to do its job effectively. As the film argues
so effectively, the primary goal of prison should be to rehabilitate
criminals, not to try to convert them into obedient puppies through a
regime that crushes their individuality and self-esteem.
Director John Frankenheimer was at his creative peak when he made this
film, showing a consistent flair that he would have difficulty
sustaining in future years. Around this time, he made four of his
best films:
The Manchurian Candidate
(1962),
Seven Days in May (1964),
The
Train (1964) and, of course,
Birdman of Alcatraz. What
these films have in common is an earthiness, a stark post-noir realism, which
was pretty rare in mainstream American cinema at that time.
What makes
Birdman of Alcatraz
so effective and so compelling (other than Burt Lancaster's superb
performance) is the way in which it is staged and shot. Cramped
sets, harsh lighting and tight camera angles all work together to
emphasise the confined setting and sheer vacuity of the life that had
to be endured by convicts serving a long stretch in solitary
confinement. Frankenheimer would turn out some Grade A turkeys in
future years but here he is at his best, telling a remarkable story of
survival and redemption, without fuss and sentimentality, that leaves a
lasting impression.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next John Frankenheimer film:
The Manchurian Candidate (1962)
Film Synopsis
Whilst serving a 12-year prison stretch for killing a man in a brawl, a
wayward adolescent Robert Stroud is transferred to Leavenworth
Penitentiary in Kansas. Here, his rebellious nature and lack of
discipline immediately brings him into conflict with the warden, Harvey
Shoemaker. When his request to receive a visit from his mother is
denied, he attacks a guard and kills him in self-defence.
Stroud is sentenced to death but, after a successful publicity campaign
orchestrated by his mother, his sentence is commuted to life
imprisonment. The prisoner is outraged when he discovers he is to
be kept in solitary confinement for the rest of his life. Boredom
soon sets in and Stroud begins to wish he had been executed.
Then, one day, he sees a sickly sparrow in the exercise yard and
decides to nurse it back to health. Stroud adopts the bird as a
pet and within no time his fellow prisoners have each been given a
bird. Stroud begins to breed canaries, building cages for them
from fruit crates. When his avian friends fall ill, Stroud
carries out research to discover a cure, and in doing so he becomes a
world authority on bird diseases. But then a change in federal
law prohibits prisoners from keeping pets in their cells. Stroud
is sent to another penitentiary on the small island of Alcatraz, where
he once again runs up against Shoemaker...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.