Film Review
Considered by many to be the most entertaining of Laurel and Hardy's
feature-length films,
Block-Heads sees
the legendary duo at their comedic best as they enact one brilliantly
orchestrated slapstick routine after another in a relentlessly funny
tour de force. The gags are predictable and very familiar to
ardent L&H fans, owing to the fact that many of them have been
recycled from previous films, but none fails to get that seismic belly
laugh.
Way Out West (1937) may have
the edge from the point of view of plot and production values, but
Block-Heads is funnier and, with
its exploding kitchen, bitching wife and seemingly endless staircase
gag, is more typical of Stan and Ollie's style of comedy.
And this could have been the last film the duo made. Producer Hal
Roach was about to end his contract with MGM and sign a new deal with
United Artists. Laurel and Hardy were coming to the end of their
contract with Roach and had fallen out, their personal antagonism
compounded by the breakdown of Stan Laurel's marriage to his third
wife. As the team began working on
Block-Heads, without much in the
way of enthusiasm, it was widely believed that this would be the very
last Laurel and Hardy film. Fortunately, it wasn't. Stan
and Ollie managed to patch up their differences and Hal Roach continued
to employ them, albeit with increasing reluctance. Their best
work may have been behind them, but Laurel and Hardy were sill making
films and entertaining audiences for another decade.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
During WWI, Stan and Ollie bid a fond farewell just before Ollie goes
over the top, leaving his friend to guard the trench. Twenty
years later, Stan is still there, mechanically patrolling the trench,
completely oblivious to the changes that have happened in the outside
world. After he tries unsuccessfully to shoot down a
passing aeroplane, Stan receives a visit from an irate pilot, who
informs him that the war has been over for years. In the
meantime, Ollie has married and settled down in America. He can
hardly believe his eyes when he sees Stan's photograph in the
newspaper, with an account of his fantastic story. He wastes not
a second and is soon enjoying a happy reunion with his old friend at a
home for old soldiers. Mistakenly believing that Stan lost one of
his legs in the war, Ollie insists that he comes back to his apartment
for a slap-up meal. When they finally get back home, the two men
receives a frosty reception from Ollie's wife, who chooses this moment
to leave her husband. Ollie insists that he can cook a meal to
rival his wife's culinary talents. Oh dear...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.