Film Review
"Now, up the Wooden Hill to Bedfordshire!" Margaret Rutherford's
stout rallying cry for obedient schoolgirls is just one of the
priceless gems offered by this British comedy classic, one of the
most fondly remembered films to come out of the partnership of Frank
Launder and Sidney Gilliat. An obvious precursor to Lauder and
Gilliat's subsequent
St Trinian's
films,
The Happiest Days of Your
Life is a similarly anarchic school-centred farce, based on a
play by John Dighton. The film was a massive hit at the box
office when it was first released in the UK in 1950 and it remains one
of the enduring comedy classics of British cinema. Few films of
this era are as relentlessly funny as this one and if you are in
desperate need of a high-dose pick-me-up this will surely hit the spot.
The film's number one asset is its mouth-watering principal cast, which
offers up no fewer than three legends of British comedy: Alastair Sim,
Margaret Rutherford and Joyce Grenfell. The vitriolic stand off
between Sim and Rutherford when they first meet on screen is one of the
great moments in British cinema, a titanic clash of personalities that
surpasses anything found in
The Iliad
or
The Odyssey, or anywhere
else for that matter. This auspicious first meeting risks turning
into a two-person arms race, with the gags and recriminations
accumulating faster than a nuclear arsenal during the Cold War. If you
ever wondered where Sim's outrageously camp Miss Fritton came from,
this film may provide a few clues.
And if the iconic Sim-Rutherford confrontation is not enough to sate
your appetite for humorous hijinks, there's additional nourishment from
the ever delightful Miss Grenfell, comedy fodder in the most easily
digestible form. As ever, she revels in the part of the gawky
spinster, her Miss Gossage ('Call me Sausage!') being a close cousin of
the character she would later play in the
St Trinian's films. Comedy
stalwart Richard Wattis and RAF-type Guy Middleton lend their support
to this delightfully boisterous comedy, along with a seemingly infinite
supply of Hellish school boy and girl monstrosities. Despite all
the mayhem going on around them, it is Alastair Sim and Margaret
Rutherford who effortlessly succeed in wrenching the focus in their
direction, rewarding us with what is undeniably the cinematic showdown
of the century. "How
dare
you, sir!" "How dare
you
madam!" Sheer bliss.
© James Travers 2013
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Next Frank Launder film:
The Belles of St. Trinian's (1954)
Film Synopsis
On his return to civilian life after the war, Richard Tassell arrives
to take up his new post as English master at Nutbourne College, a small
private school for boys. The school is run by Mr Wetherby Pond
and Tassell's colleagues include a narcoleptic French master, a maths
teacher who prefers football pools to algebra and a games teacher who
would rather prop up the bar at the local hostelry than subject himself
to outdoor sport. Just as the school is about to open for the
start of a new term, Pond is notified by the ministry that he should
expect a hundred extra pupils, temporarily billeted from St Swithin's
School. Not only does his school not have enough space to
accommodate these additional pupils, Pond soon discovers, to his
horror, that the extra pupils are all girls! To make matters
worse, the entire kitchen staff choose this inopportune moment to hand
in their notice. Miss Whitchurch, the headmistress of St
Swithin's, and Mr Pond get off on the wrong foot but agree to try to
make the best of an impossible situation. When some parents of St
Swithin's girls arrive to make a tour of the school, Miss Whitchurch
sets her mind to making a good impression. Unfortunately, this
visit coincides with another by a party of governors from a more
prestigious school to which Pond has applied for the post of
headmaster. By exercising a little cunning, Miss Whitchurch and
Mr Pond contrive to give their visitors the impression that their's is
the perfect single-sex school. The best laid schemes...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.