Danse avec lui (2007)
Directed by Valérie Guignabodet

Drama / Romance
aka: Dance with Him

Film Review

Abstract picture representing Danse avec lui (2007)
Valérie Guignabodet's third film makes a startling contrast with her previous comedies Monique (2002) and Mariages! (2004), a sombre portrayal of a fragile young woman struggling to rebuild her life after a devastating accident.  The physical wounds may have long healed, but the emotional scars remain, and it is through that inexplicable bond of understanding between man and horse that the film's heroine manages to rid herself of the anguish of her past.

Danse avec lui ought to be an intensely moving film, but somehow it fails to hit the mark.  Even with actors of the calibre of Mathilde Seigner and Sami Frey, the film is lacking in emotional force and, at times, feels more like an uninspired documentary about dressage than a piece of drama.  This is not to say that the film is lacking in artistic merit.  The sequences in which Alexandra slowly regains her love of horses are beautiful handled and far more meaningful than the unconvincing romance between Alexandra and her horse teacher (Sami Frey). 

By contrast, the opening passage, in which Alexandra's world implodes in a maelstrom of cliché and plot contrivance, is an instant turn off.  After this, the film does get much better, but weaknesses in both the writing and direction prevent it from having anything like the impact it deserves.  The one thing that does come across is Guignabodet's immense passion for all things equestrian.  Whilst the film may be lukewarm in its treatment of human relationships, it succeeds magnificently in its portrayal of the horse as one of the most beautiful and majestic of nature's creations.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Alexandra is a horse rider of considerable ability, but a succession of personal crises put paid to her promising career.  First she discovers that her husband Miguel has been carrying on an affair with another woman.  The next day, she sustains a near-fatal injury whilst out riding.  It is whilst she is recovering from this disaster that she learns that her husband has been killed in a road accident.  The trauma of being virtually crippled and losing her husband stays with Alexandra for the next three years.  Then she has a chance encounter with an old horse trainer known as The Colonel.  He lives alone and devotes himself to his horse, his one companion in life.  It is through her meeting with this singular individual and his horse that Alexandra finally regains her zest for life...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Valérie Guignabodet
  • Script: Valérie Guignabodet
  • Cinematographer: Denis Rouden
  • Music: Jean-Claude Petit
  • Cast: Mathilde Seigner (Alexandra), Sami Frey (Le maître écuyer), Jean-François Pignon (Miguel), Anny Duperey (La mère d'Alexandra), Anthony Delon (Paul), Jean Dell (Daniel), Élodie Navarre (La maîtresse de Paul), Camille Varenne (Amélie), Marie-Bénédicte Roy (La mère d'Amélie), Gilles Gaston-Dreyfus (Le professeur d'équitation), Agnès Sachsé (La femme du Professeur), Cyril Clément (Le vétérinaire), Agathe Bourras (La monitrice), Clara Tissandier (Alexandra enfant), Jacques Brucher (Le père d'Alexandra), Xavier Berlioz (Le beau-frère d'Alexandra), Anne Le Guernec (La soeur d'Alexandra), Stéphane Comby (Le prétendant), Laurent Bateau (L'homme du bar), Alain Floret (Le client 1)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 118 min
  • Aka: Dance with Him

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright