Film Review
The third viciously blood-soaked instalment in George A. Romero's
classic
Dead Trilogy may lack
the coherence, intensity and darkly astute political subtext of its
predecessors but it manages to be an enjoyable spectacle of visceral
gore-splattered nastiness which no aficionado of the horror genre can
afford to miss. Despite the very mixed reviews the film received
on its initial release,
Day of the
Dead is highly regarded today and provides a respectable
conclusion to Romero's groundbreaking trilogy of zombie films.
Romero initially had ambitious plans for this film but these had to be
massively scaled back when he only managed to secure half of the budget
he had hoped for. Despite this,
Day
of the Dead still has an epic feel and features some of the most
convincing special effects of any horror film up until this time.
Definitely not for the faint-hearted are the scenes in which internal
organs spew out of chest cavities, making a gruesome pile of offal on
the floor, and you definitely do not want to be eating your liver
and onions when the zombies begin ripping the heads, arms and legs off
their victims before chewing hungrily on their tasty blood-dripping
viscera. If all this doesn't put you off eating sausages for the
rest of your life nothing will.
Romero's direction is as inspired and meticulous as in the previous two
Dead films and the only real
let down is the screenplay, which in unevenly paced and fails to make
any of the characters remotely sympathetic. The first third of
the film is basically just a slanging match, with two groups of people
hurling obscenities at each other for what seems like an eternity,
almost as if they were training for a career in politics. You can
hardly wait for the zombies to turn up and rescue us from this ****ing
tedious ****ing tirade of ****ing abuse. Indeed, so antipathetic
are the human characters that it is much easier to side with the
zombies. This may have been a deliberate ironic twist - the last
surviving humans lose their last vestiges of humanity and end up
looking like career politicians just as we begin to see a human side to
the zombies - but it weakens the dramatic tension if the audience
cannot identify with any of the main characters. The main reason
why
Night of the Living Dead and
Dawn of the Dead are so
compelling is because we want the human characters to survive. In
Day of the Dead, we just don't
care. In fact, we can hardly wait to see the back (or rather
the torn out viscera) of them.
The relative poor performance of
Day
of the Dead at the American box office marked the beginning of a
dramatic decline in Romero's career. Two decades later, the
director made a remarkable come-back when he launched his second
trilogy of zombie films. This began with
Land of the Dead, a film which was
reviled by some critics and praised by others, but which proved to be a
major box office success. George A. Romero is not the only
director to have made zombie films but somehow his zombie films are the
only ones that really matter. The rest are bloodless
imitations. Romero made the concept of the zombie a horrifyingly
realistic prospect, ten times scarier than the previous Gothic horror
icons, and rocket-fuel for your worst nightmares. Lovely.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Human civilization is virtually at an end, obliterated by a mysterious
plague that is animating the dead, turning them into flesh-eating
zombies with disgusting table manners. A small group of
scientists and military men are holed up in a former missile silo,
hoping to come up with a way to defeat the zombies and save the
world. Tensions between the scientists and the soldiers are
running high as vital supplies begin to run low, whilst the experiments
have so far failed to deliver any useful outcome. Captain
Rhodes, the increasingly neurotic leader of the military side of
things, is growing impatient, despite the progress made by chief
scientist Dr Logan to understand the zombification process.
When Rhodes discovers that Logan has been feeding the dead bodies of
his men to one of the captured zombies in an attempt to tame him, he
executes the scientist and orders an immediate evacuation of the
base. The remaining scientists will have to take their chances
with the zombies who, by this stage, are very, very hungry...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.