Decision Before Dawn (1951)
Directed by Anatole Litvak

Drama / War

Film Review

Abstract picture representing Decision Before Dawn (1951)
Anatole Litvak returned to Hollywood having served with distinction in the United States Army during World War II to resume his successful film making career.  The experience of armed combat is reflected in his subsequent war films, of which this is perhaps the best example.  Decision Before Dawn is an unusual war film because it is remarkably unbiased (it portrays American and German soldiers in similar terms) and deals with an unusual subject, the morality of espionage.

The film is most memorable for its stunning exterior sequences which were set in real European locations that still showed the scars of war.  This, combined with Litvak's trademark chiaroscuro photography, vividly conveys the misery and destructive nature of war, more so than many war films of this era. The film also benefits from some solid performances from a respectable cast, which includes a young Oskar Werner, who would later become famous for his role in François Truffaut's Jules et Jim (1962).
© James Travers 2007
The above content is owned by frenchfilms.org and must not be copied.
Next Anatole Litvak film:
Un acte d'amour (1953)

Film Synopsis

December 1944.  As World War II enters its final phase, the allied forces are concentrating their attention on Nazi Germany.  To hasten victory, German prisoners-of-war are sent back into their country as spies to gather invaluable intelligence. One such man is Karl Maurer, a young medic who, disillusioned with Nazism, is prepared to betray his country to ensure it has a better future...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Anatole Litvak
  • Script: Jack Rollens, Peter Viertel, George Howe (novel), Carl Zuckmayer (dialogue)
  • Cinematographer: Franz Planer
  • Music: Franz Waxman
  • Cast: Richard Basehart (Lt. Dick Rennick), Gary Merrill (Col. Devlin), Oskar Werner (Cpl. Karl Maurer aka Happy), Hildegard Knef (Hilde), Dominique Blanchar (Monique), O.E. Hasse (Col. Von Ecker), Wilfried Seyferth (Heinz Scholtz - SS Man), Hans Christian Blech (Sgt. Rudolf Barth aka Tiger), Helene Thimig (Fräulein Paula Schneider), Robert Freitag (Sgt. Paul Richter), George Tyne (Sgt. Griffin), C.A. Amos (Himself), Harold Benedict (Himself), H.W. Briggs (Himself), D.G. Devine (Himself), L.E. Dixon (Himself), B.L. Hendrickson (Himself), D. Kogel (Himself), S.I. Rice (Himself), F. Slaman (Himself)
  • Country: USA
  • Language: English / French / German
  • Support: Black and White
  • Runtime: 119 min

Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright