Film Review
In this film, Jean-Luc Godard takes a conventional detective thriller and manages to produce
something quite original - although the end result is far from accessible.
The film is loaded with Godard's cinematographic devices - such as rapid inter-cutting
of apparently unconnected scenes, dialogue interrupted by unexpected musical intrusions,
and some blatant allegorical imagery. However, whilst such techniques were fresh
and exciting in Godard's early career, the same approach now looks rather tired and distinctly
depassé in this 1980s thriller-drama. Instead of adding depth to the
film, this cinematographic artistry seems merely to render an already complicated story
virtually incomprehensible.
This is a shame because the film could have succeeded as a conventional drama - it does
have a very strong cast (which includes the (in)famous singer Johnny Hallyday) and the
plot (if you have the patience to follow it) is not without merit. In the search
for originality in his art, Godard is apparently hampered by his own past achievements.
Nowhere is this more apparent than in this film.
© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.
Next Jean-Luc Godard film:
Je vous salue, Marie (1985)
Film Synopsis
In one room of an upmarket Parisian hotel, two detectives who go by the names
Uncle Prospero and Neveu are sedulously investigating the murder of a royal
personage on the premises two years ago. In another room of the same
hotel, the boxer Tiger Jones is preparing himself for his next match, in
the company of his manager Eugène and promoter Jim Fox Warner.
The latter is counting on Tiger to improve his financial situation after
he lost a staggering amount of money on an earlier disastrous venture, so
understandably he becomes concerned when the boxer's girlfriend keeps plying
him with sweets.
Jim's already strained nerves would be even more on edge if he knew that
two suspicious-looking couples are in the vicinity, both eager to settle
past scores with him. First there is Émile and Françoise
Chenal, to whom Jim owes a large sum of money, and then there are a pair
of cool Mafiosa types who have come to teach the promoter a lesson he won't
forget in a hurry. Within no time the destinies of these four sets
of individuals become inextricably linked, leading to an outcome that could
not be bloodier...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.