Dracula's Daughter (1936)
Directed by Lambert Hillyer

Comedy / Drama / Horror / Thriller

Film Review

Abstract picture representing Dracula's Daughter (1936)
Dracula (1931) was the first in Universal Pictures' series of gothic horror films but it took a full five years before the company made a sequel to this film (remarkable when you consider how popular it had been).  That sequel, Dracula's Daughter, is widely considered the best of Universal's vampire offerings, surpassing the original 1931 film in both its narrative complexity and its production values.

Dracula's Daughter originated as a treatment of a short story by Bram Stoker (entitled Dracula's Guest) which was originally part of his Dracula novel.  MGM executive David O. Selznick bought the rights to the story from Stoker's widow and subsequently sold these on to Universal at a profit, knowing that he would not be able to make a film himself with the name Dracula in the title. 

In her first leading film role, Gloria Holden is cast as the titular vampiric offspring and looks perfect for the part, even though she resented having to play it.  Her cold elegance and air of disdain give her a chilling alien quality which makes her the scariest and sexiest of all the screen vampires.  Much has been written about the film's lesbian overtones and there is certainly an overt dark sensuality in Holden's scenes with her female victims.

Stylishly directed by Lambert Hillyer (better known as a director of westerns), Dracula's Daughter is far better paced than the original Dracula film, although it is perhaps slightly less atmospheric. With is satisfying blend of horror and comedy, it is without doubt one of the most enjoyable of Universal's early horror films.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Arrested by Scotland Yard for the murder of Count Dracula, Professor Van Helsing contacts one of his former students, the psychiatrist Dr Jeffrey Garth, to defend him in his impending trial.  Meanwhile, Dracula's body has been stolen by a mysterious young woman named Countess Marya Zaleska, who is in fact the vampire's daughter.  The Countess burns her father's body, believing that this will exorcise the evil within her and make her a normal human being.  When this fails, she tries to persuade Dr Garth to use his knowledge of the mind to save her.  When Garth refuses to help her, the Countess flees to her father's castle in Transylvania, taking with her Garth's assistant, Janet.  Garth has no choice but to follow, not knowing that the Countess has resolved to transform him into a vampire...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Lambert Hillyer
  • Script: David O. Selznick, Charles Belden, Finley Peter Dunne, Kurt Neumann, R.C. Sherriff, Garrett Fort, Bram Stoker (story), John L. Balderston (story)
  • Cinematographer: George Robinson
  • Music: Heinz Roemheld
  • Cast: Otto Kruger (Jeffrey Garth), Gloria Holden (Contessa Marya Zeleska), Marguerite Churchill (Janet), Edward Van Sloan (Prof. Von Helsing), Gilbert Emery (Sir Basil Humphrey), Irving Pichel (Sandor), Halliwell Hobbes (Hawkins), Billy Bevan (Albert), Nan Grey (Lili), Hedda Hopper (Lady Esme Hammond), Claud Allister (Sir Aubrey), Edgar Norton (Hobbs), E.E. Clive (Sgt. Wilkes), Agnes Anderson (Elena), John Blood (Bobby), David Dunbar (Motor Bobby), Douglas Gordon (Attendant), Owen Gorin (Groom's Friend), Gordon Hart (Mr. Graham - Host), Elsa Janssen (Wedding Guest)
  • Country: USA
  • Language: English / German
  • Support: Black and White
  • Runtime: 71 min

The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright