Edge of Darkness (1943)
Directed by Lewis Milestone

Drama / War

Film Review

Abstract picture representing Edge of Darkness (1943)
There's more than a touch of irony in the fact that the man who brought us one of cinema's most potent anti-war films, All Quiet on the Western Front (1930), later went on to direct a flagrant pro-war propaganda piece which almost glorifies armed combat.  Lewis Milestone's love of humanity and skill at directing full-on battle scenes certainly help to prevent Edge of Darkness from being merely another tedious lecture to justify America's involvement in the war against fascism but this apparent moral discrepancy is an interesting one, a classic case of having your cake and eating it.  Inspired by real events in Nazi-occupied Norway at the start of WWII, Edge of Darkness is adapted from William Woods' novel of the same title by screenwriter Robert Rossen and is one of Milestone's mostly bleakly realistic films.

As was (sadly) typical of propaganda films made in Hollywood around this time, the Nazis are portrayed mostly as one-dimensional villains, soulless and/or deluded monsters with few, if any, redeeming features.  Likewise, the heroes are just as simplistically sketched, their outbursts of violence vindicated as a just onslaught against a tyrannous regime.  Walter Huston is fortunate in that his character (the linchpin in the drama) at least has some scope for moral uncertainty; the other actors have to work much harder to make their characters interesting and some - notably the film's star Errol Flynn (a last minute replacement for Humphrey Bogart) - can't even be bothered.  Recurrent health problems put paid to Flynn's aspirations of serving in the American armed forces, but he made up for this with heroic portrayals in several war films including Dive Bomber (1941), Desperate Journey (1942) and Objective, Burma! (1945).

Although the pace is sluggish in the first half of the film there are some inspired touches, such as the covert resistance meeting in a chuch. Things pick up with a vengeance in the final reel as an armed conflagration suddenly decimates the strained peace of a Norwegian village.  Edge of Darkness has some moments of exquisite poignancy and horror but its crude attempts at Nazi demonisation, whilst acceptable for a propaganda piece, weaken its effectiveness as a piece of drama.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Next Lewis Milestone film:
The Strange Love of Martha Ivers (1946)

Film Synopsis

In 1942, Trollness, a Norwegian fishing village, is under Nazi occupation.  Most of the local population are involved in resistance activities of one kind or another, although some are willing allies of the Nazis, seeing cooperation as the best way to maintain their cosy way of life.  The town's doctor, Martin Stensgard, is a reluctant convert to the resistance movement, persuaded by his daughter Karen that neutrality is not an option.  Stensgard's loyalties are further divided when his son Johann returns, having served abroad as a Nazi officer.  The only person to welcome Johann's return is his uncle, the owner of a large canning factory and a willing Nazi collaborator.  As Captain Koenig, the most senior Nazi stationed at a nearby garrison, makes his move to crush an uprising, resistance leader Gunnar Brogge leads a fierce offensive that will become an example to the free world...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Lewis Milestone
  • Script: Robert Rossen, William Woods (novel)
  • Cinematographer: Sidney Hickox
  • Music: Franz Waxman
  • Cast: Errol Flynn (Gunnar Brogge), Ann Sheridan (Karen Stensgard), Walter Huston (Dr Martin Stensgard), Nancy Coleman (Katja), Helmut Dantine (Captain Koenig), Judith Anderson (Gerd Bjarnesen), Ruth Gordon (Anna Stensgard), John Beal (Johann Stensgard), Morris Carnovsky (Sixtus Andresen), Charles Dingle (Kaspar Torgerson), Roman Bohnen (Lars Malken), Richard Fraser (Pastor Aalesen), Art Smith (Knut Osterholm), Louis V. Arco (German Lieutenant), Monte Blue (Petersen - Butcher), Henry Brandon (Major Ruck), Glen Cavender (Cannery Worker), Virginia Christine (Hulda), William Edmunds (Elderly Sailor), Tom Fadden (Hammer)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 119 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright