Film Review
A stellar cast is somewhat wasted on this middling comedy which recycles
the old Ruritania plot ideas that continued to infect cinema long after Anthony
Hope's novel
The Prisoner of Zenda had its first screen adaptation.
Éducation de prince is in fact based on a play by Maurice Donnay,
which had previously been adapted by Henri Diamant-Berger in 1927.
The script was written (with little in the way of flair and originality)
by Henri-Georges Clouzot and Carlo Rim, who would both go on to become capable
film directors. Alexandre Esway directs the film with his customary
workmanlike lack of inspiration, showing even less flair for comedy than
he would do on his subsequent Fernandel comedies
Barnabé (1938) and
Hercule (1939).
The film's charms lie not in its rehashed plot, which serves up the usual
morass of clichés and caricatures, but in its starry cast, headed
by an impeccable Louis Jouvet, who provides most of the well-restrained laughs
as a pompous purveyor of court etiquette. André Alerme is occasionally
amusing as a greedy financier who is driven to desperate measures to rescue
his ailing cash-flows and Charpin makes a welcome albeit somewhat superfluous
appearance as Alerme's moral opposite, an honest sort who enjoys the simple
pleasures in life. A bevy of beauties - Elvire Popesco, Josette Day
and Mireille Perrey - provide no shortage of glamour, but the star of the
film is 18-year-old Robert Lynen who, as the titular prince, is the only
cast member to shine in this lacklustre timewaster.
© James Travers 2017
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Silistria, a small country in the Balkans, is in a state of permanent revolution,
which is not good for business. The financier Chautard is the man who
suffers most from this neverending succession of coups d'états.
Every time there is a change of government, he has to renegotiate his contracts
to exploit the country's mineral wealth, a costly and time-consuming business.
Deciding that this cannot go on, Chautard intends to have the royal family
of Silistria reinstated. Presently, they are living as poor exiles
in Paris. The queen, Sophie, continues to live her extravagant lifestyle
by handing out titles instead of cash to her dressmakers and grocers, whilst
her son Sacha, now in his late teens, attends a Parisian college where he
gets caught up in the usual student hi-jinks, including political demonstrations.
To make Sacha a suitable monarch for his country, Chautard engages the services
of René Cercleux, who will teach him all he needs to know about royal
etiquette and deportment. Unfortunately, Sacha has little enthusiasm
for returning to Silistria as he has fallen in love with Marianne, a girl
of his own age who has no fortune of her own. She is merely the daughter
of a poor but contented toy maker, Monsieur Honorat - hardly a suitable consort
for a young prince...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.