André Alerme

1877-1960

Biography: life and films

André Alerme was a French actor. He was born in Dieppe, France on 9th September 1877 and died in Montrichard, Loir-et-Cher, France on 2nd February 1960, aged 82.

His best films as an actor include André Berthomieu's comedy La Femme idéale (1934), Jacques Feyder's La Kermesse héroïque (1935), Jean Boyer's Romance de Paris (1941), René Le Hénaff's Les Gueux au paradis (1946) and Edmond T. Gréville's Pour une nuit d'amour (1947).

André Alerme appeared in 71 films.

He has most frequently worked with the following directors: Jean Boyer (6 films), Gilles Grangier (4), Pierre Colombier (3), Marc Allégret (3), Robert Péguy (2), René Le Hénaff (2), Pierre-Jean Ducis (2), Marcel L'Herbier (2), Léon Mathot (2), Léo Joannon (2), Jean Stelli (2), Jacques Feyder (2), André Berthomieu (2) and Alexander Esway (2).

His most frequent genres include: comedy (30 films), drama (27), comedy-drama (9), comedy-romance (4), romance (2) and history (2).

Our average rating for André Alerme over all films is: 2.5

Filmography

Key: a = actor

Amour et carburateur (1925) [a]

Le Blanc et le noir (1931) [a]

Mam'zelle Nitouche (1931) [a]

Son altesse l'amour (1931) [a]

La Dame de chez Maxim's (1932) [a]

La Fleur d'oranger (1932) [a]

Sa meilleure cliente (1932) [a]

Miquette et sa mère (1933) [a]

Tout pour rien (1933) [a]

L'Hôtel du libre échange (1934) [a]

La Femme idéale (1934) [a]

Le Voyage de Monsieur Perrichon (1934) [a]

Miquette et sa mère (1934) [a]

Arènes joyeuses (1935) [a]

Ferdinand le noceur (1935) [a]

La Kermesse héroïque (1935) [a]

Pension Mimosas (1935) [a]

Tovaritch (1935) [a]

Le Grand refrain (1936) [a]

Le Secret de Polichinelle (1936) [a]

Mademoiselle ma mère (1936) [a]

Prends la route (1936) [a]

Un mauvais garçon (1936) [a]

Aloha, le chant des îles (1937) [a]

L'Homme du jour (1937) [a]

La Bataille silencieuse (1937) [a]

Le Chanteur de minuit (1937) [a]

Vous n'avez rien à déclarer? (1937) [a]

Accord final (1938) [a]

Balthazar (1938) [a]

Éducation de prince (1938) [a]

L'Ange que j'ai vendu (1938) [a]

L'Assaut (1938) [a]

Le Drame de Shanghaï (1938) [a]

Ma soeur de lait (1938) [a]

Mon curé chez les riches (1938) [a]

Un fichu métier (1938) [a]

Farinet ou l'or dans la montagne (1939) [a]

Nord-Atlantique (1939) [a]

Ecco la felicità (1940) [a]

L'Homme qui cherche la vérité (1940) [a]

Paradis perdu (1940) [a]

L'An 40 (1941) [a]

La Prière aux étoiles (1941) [a]

Romance de Paris (1941) [a]

Dernière aventure (1942) [a]

L'Âge d'or (1942) [a]

L'Amant de Bornéo (1942) [a]

La Comédie du bonheur (1942) [a]

La Fausse maîtresse (1942) [a]

Le Voile bleu (1942) [a]

Lettres d'amour (1942) [a]

Patricia (1942) [a]

Arlette et l'amour (1943) [a]

La Valse blanche (1943) [a]

Le Baron fantôme (1943) [a]

Coup de tête (1944) [a]

Farandole (1945) [a]

Le Cavalier noir (1945) [a]

Leçon de conduite (1946) [a]

Les Gueux au paradis (1946) [a]

Les Malheurs de Sophie (1946) [a]

Trente et quarante (1946) [a]

L'Arche de Noé (1947) [a]

Pour une nuit d'amour (1947) [a]

Bichon (1948) [a]

Le Dolmen tragique (1948) [a]

Par la fenêtre (1948) [a]

Toute la famille était là (1948) [a]

Banco de Prince (1950) [a]

Cet âge est sans pitié (1952) [a]



The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright