Film Review
Alain Jessua produced and directed this disturbing psychological suspense-drama which
bears a close similarity to some of Claude Chabrol's darker thrillers.
In common with Jessua's previous films
Jeu de massacre (1967) and
Les Chiens (1979),
En toute innocence is a scathing piece of social commentary that
sneakily exposes the anarchy and nastiness that lies beneath our supposedly
civilised, well-ordered society.
The film revolves around a seemingly
content bourgeois family, where everyone appears calm, settled and content. In reality,
the ready smiles are merely a mask to hide the pent-up resentment, frustration and disillusionment
that are eating away at the protagonists.
Whilst neither the characters nor the plot are as well thought out as they need to be for the film to
be totally effective, Jessua succeeds in conveying a mood of suppressed hatred and paranoid
suspicion, bringing a Hitchcockian feel to what might otherwise have been a fairly routine thriller.
Michel Serrault and Nathalie Baye are well-cast as a duo engaged in a deadly mind game and give some great
performances, with Baye impressing most in an unusually unsympathetic role.
Serrault doles out manic paranoia as heartily as Baye seethes with repressed
anger, her sinister dual-character providing the film with some deliciously
dark moments. Like Chabrol, Jessua takes a morbid delight
in mocking the well-heeled middle classes and exposing them for
the psychotic mal-adjusted frauds they are.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.
Next Alain Jessua film:
Jeu de massacre (1967)
Film Synopsis
Paul Duchène and his son Thomas run an architectural business from their country
estate. One day, Paul returns home to find Thomas' wife, Catherine, making love
with one of his business associates. In a rage, Paul drives away in his car at full
speed, and crashes into a lorry. Although he survives the accident, he is wheelchair
bound and appears not to be able to speak. Catherine tries to make peace with him,
but he refuses, and an air of quiet hostility pervades the household. Convinced
that his sister-in-law intends to kill him, Paul decides the time has come for him to
take his revenge...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.