Julietta (1953)
Directed by Marc Allégret

Comedy / Romance

Film Review

Abstract picture representing Julietta (1953)
One of Marc Allegrét's slickest and most inspired comedies is this hectic ménage à trois farce, a film which effectively combines the elements of social satire, rom-com and vaudeville into one heady gag-packed concoction.  Those who believe that Jean Marais is suited only for straight dramatic roles will be in for a surprise when they watch this film.  As the increasingly desperate lover who tries to keep his prudish fiancée away from another woman (a young slip of a thing that has somehow inveigled her way into his attic, presumably making him a kind of inverted Mr Rochester) Marais is hilarious, far funnier that he would be in the subsequent Fantômas films.

The eye-catching Dany Robin is given star billing alongside Marais, although it is the young Jeanne Moreau who makes the bigger impression, deftly snatching the rug from underneath Robin's feet at every opportunity.  Early in her career, Moreau had yet to gravitate to the kind of roles that suited her persona and acting style (that would not come until she played Catherine in François Truffaut's Jules et Jim almost a decade later), but she is a delight in this film, perfectly suited to play the part of the fastidious snob Rosie.  Assisted by Allegrét's light-as-gossamer directorial touch and a script that abounds in amusing comic situations, Moreau, Marais and Robin form an unbeatable combination, transforming what might have been a humdrum and rather silly comedy into an entertaining minor classic of French cinema.
© James Travers, Willems Henri 2010
The above content is owned by frenchfilms.org and must not be copied.
Next Marc Allégret film:
Futures vedettes (1955)

Film Synopsis

Whilst holidaying in Limoges, Madame Valender tries to marry her daughter Julietta to Hector d'Alpon, a wealthy prince, to make an impression on everyone.  However, Julietta has no interest in money and fame so she is reluctant to participate in her mother's game.  When they are travelling back to Paris by train, Julietta finds a cigarette holder belonging to a man who has just left the train.  As she runs after him to return the cigarette holder, the train leaves the station without her.  The man, a lawyer named Maître Landrecourt, asks her to stay at his house until the morning, after which she must leave.  The next day, Landrecourt has an appointment with his fiancée, the snobbish Rosie.  What Landrecourt doesn't know is that Julietta has decided to run away from everything and is there to stay.  Unfortunately for Julietta, Landrecourt intends returning to the house with Rosie, who just happens to be a good friend of Hector d'Alpon.  Rosie has even taken the liberty of inviting the prince to Landrecourt's house for the weekend...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Marc Allégret
  • Script: Louise de Vilmorin (novel), Françoise Giroud
  • Cinematographer: Henri Alekan
  • Music: Guy Bernard
  • Cast: Jean Marais (André Landrecourt), Dany Robin (Julietta Valendor), Jeanne Moreau (Rosie Facibey), Nicole Berger (Martine Valendor), François Joux (Le commissaire), Bernard Lancret (Hector d'Alpon), Denise Grey (Mme Valender), Georges Chamarat (Arthur, l'intendant), Georges Sauval (Le contrôleur), Renée Barell, Alain Terrane
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 96 min

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright