aka: Francis Girod's L'état sauvage (The Savage State)
Film Synopsis
Corruption and racism are rife in a small African country which has
recently gained its independence, according to a pamphlet.
Certainly, trafficker Antoine Gravenoire seems not have been affected
by the transfer of power following decolonisation. The blacks may
occupy the prominent positions of state, but it is still the whites who
run the show, from behind the scenes. When the minister of health
is assassinated, his mistress, a white woman, flees to her former
husband. Will the two escape or will they have to face the mercy
of the lynch mob..?
Script: Georges Conchon (dialogue),
Francis Girod (dialogue)
Cinematographer: Pierre Lhomme
Music: Pierre Jansen
Cast:Michel Piccoli (Orlaville),
Marie-Christine Barrault (Laurence),
Claude Brasseur (Gravenoire),
Jacques Dutronc (Avit),
Doura Mané (Patrice Doumbe),
Baaron (Modimbo),
Umban U'kset (Kotoko),
Jean-Baptiste Tiemele (Gohanda),
Rüdiger Vogler (Tristan),
Peter Bachelier (Renard),
Sidiki Bakaba (Cornac),
Alphonse Beni (Minister One),
Philippe Brizard (Paul),
Celia (Irène),
Akonio Dolo (Boy Elie),
Cheik Doukouré (Minister of Children's Affairs),
Hassane Fall (Ministre de la jeunesse),
Isabelle Gautier (Femme de Gravenoire),
Jean-Pierre Honoré (Secrétaire de Gohanda),
Marblum Jequier (Minister's Wife)
Country: France
Language: French
Support: Color
Runtime: 115 min
Aka:Francis Girod's L'état sauvage (The Savage State) ;
The Savage State
The best of American film noir
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.