L'Invitation au voyage (1927) Directed by Germaine Dulac
Fantasy / Romance
aka: Invitation to a Journey
Film Review
L'Invitation au voyage is the work of Germaine
Dulac, the most prominent feminist writer, artist and filmmaker of her time.
One of the avant-garde cinematographers of the 1920s, Duluc saw film as a new art form
for expressing ideas and conveying images in a way which would be impossible or inappropriate
in other artistic media. Her films are closer to abstract art or music than conventional
cinema, are either surrealist or symbolic (indeed often both), and often revolve around
feminine themes. There is a striking originality and distinctiveness in her work
that sets her apart from her contemporaries, and her films - of which this is a good example
- are undeniably feminine (in the most positive sense).
Inspired by a few lines of the poet Baudelaire, L'Invitation
au voyage tells a simple story about a woman's rejection by her husband, her yearning
for a fresh start with another man, and the ultimate realisation that she cannot escape
from the reality of her situation. With some imaginative use of “trick” photography
Duluc manages to transport the spectator into her heroine's world with great effect.
There is no need for dialogue - the images are sufficiently striking and unambiguous that
we know how the heroine feels and what she is thinking. It is a poignant and richly
evocative short film, unique in its style and a testament to Duluc's artistic skill and
humanity.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Tired of being ignored by her husband, a young woman heads off one evening to a nautical-themed
nightclub that is frequented by rowdy sailors. Here, her attention is captured by
an impossibly handsome naval officer. He is drawn irresistibly to her table and
the two dance and share a drink together. The woman's desires compel her to imagine
a future life of freedom and happiness, far from the empty domestic life that is her current
lot. But then the officer sees her wedding ring and a locket containing a photograph
of her small child. He recoils and is soon dancing with another woman…
Script: Germaine Dulac, Irène Hillel-Erlanger,
Charles Baudelaire (poem)
Cinematographer: Paul Guichard, Lucien Bellavoine
Music: Catherine Milliken
Cast: Emma Gynt (La Femme),
Raymond Dubreuil (Le Marin),
Robert Mirfeuil (Le Fetard),
Paul Lorbert (Le Matelot),
Tania Daleyme (La Fille), Djemil Anik, Lucien Bataille
Country: France
Language: French
Support: Color / Silent
Runtime: 36 min
Aka:Invitation to a Journey
The best films of Ingmar Bergman
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.