Film Review
La Belle meunière is
Marcel Pagnol's heartfelt tribute to the work of Franz Schubert, a
composer for whom he had a great admiration. This has not only the distinction of
being Pagnol's one and only colour film, but also the only film made with the
revolutionary Roux Color system, which had been invented by the brothers Lucien and
Armand Roux. It was also only the second colour film to be made
in France, the first being
Le
Mariage de Ramuntcho, made in 1946 by Max de Vaucorbeil using
the Agfacolor process. Pagnol had originally shot a version
of
La Belle meunière
in black and white but, on hearing about the Roux brothers' work, he
immediately reshot the entire film using their system.
The Roux Color system had the advantage of being much less expensive
than its nearest rival Technicolor. Instead of having a single
colour image for each frame, the Roux Color process had four separate
black and white images, recorded on conventional black and white film
by using a special lens. When projected, these images would
be passed through four colour filters (red, blue, green and yellow) and
combined on the screen into a single colour image. Although
ingenious, the system was very short-lived - it required special
projection equipment that only a few cinemas had and which proved to be
very difficult to set up. In 1985,
La Belle meunière was
transcribed to Eastmancolor from its original negative, enabling it to
be shown in cinemas using conventional projection equipment.
La Belle meunière is
more than a curiosity piece, it is actually an enchanting little film
that celebrates and mourns the transience of life and love through the
music of Franz Schubert and its glorious pastoral setting.
Tino Rossi plays the part of Schubert with warmth and sensitivity, his
songs adding greatly to the film's lyrical quality and its wistful
charm. The colour may appear primitive by today's standards,
lacking depth and definition, but such imperfections add to the film's
poetry.
La Belle
meunière evokes an age of innocence when the pace of life
was much less hurried and where simple pleasures made a human existence
rich and complete.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Marcel Pagnol film:
Topaze (1951)
Film Synopsis
Tired of Vienna and his lack of success as a composer, Franz Schubert
goes in search of inspiration by taking a walking holiday in the
countryside around Salzburg. Following the course of a river, he
arrives at a flour mill whose owner, the amiable Master Guillaume,
gives him a cordial reception. Schubert is about to go on his way
when he sees the miller's beautiful twenty-year-old daughter, Brigitte,
bathing in the river. In an instant, the composer falls in love
with the young woman and decides to stay on at the mill, helping out
with some manual chores to pay for his board. Brigitte is
enchanted by the stranger and the marvellous songs he sings in honour
of his newly discovered love. Franz intends to marry her, but
Fate has other ideas...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.