Film Review
As in Claude Goretta's previous film, the captivating
La
Dentellière,
La Provinciale revolves around
a young woman who sets out in search of fulfilment only to end up in a world from
which she feels alienated.
Whereas the heroine in the earlier film (played magnificently by Isabelle
Huppert) is portrayed as an innocent victim, the heroine of
La Provinciale is a
strong-minded independent woman who is better equipped to choose the
life that will suit her. In both cases, the central protagonist comes
up against prejudice which prevents either from finding true happiness.
Goretta's films are a solemn indictment of the extent to which the
barriers that still exist in society can inhibit personal development.
La Provinciale is the weaker of the two films - it lacks the focus
and intense poignancy of
La Dentellière and its central
character is harder to read and more difficult to engage with, despite
a very creditable performance from Nathalie Baye. Goretta's
mise-en-scène is however just as beguiling, amd the
sense of melancholy that permeates the film is recognisably his own.
In common with much of the director's work of this period,
La Provinciale is a sombre reflection of a society riddled with
prejudice and mistrust.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
With little hope of making a career for herself in her home town in Lorraine,
30-something Christine moves to Paris and sets about looking for work.
Finding a decent job in the capital proves to be much harder than she had
imagined and she soon becomes disgusted when men start trying to take advantage
of her situation. Christine has to make do with a number of temporary
of jobs, and it is through one of these that she gets to meet Rémy,
a married man who is living alone in Paris whilst attending a training course.
Unwilling to embark on a romantic affair that will only last a short time,
Christine leaves Rémy and renews her efforts to find herself
a job with prospects. She strikes up a friendship with a young actress
named Claire, who is encumbered with two children and resorts to prostitution
to make ends meet. Christine then makes the acquaintance of a depressive
company director, Pascal Chatel, who recognises her talents and gladly offers
her a job. But on the day that Christine shows up for work she learns
that Chatel has committed suicide. For the girl from the provinces
this is the last straw...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.