Film Review
The wave of feminism that came crashing into popular culture in the
early 1980s has much to answer for, and not least of its offences is a
slew of idiotic French comedies such as
La Ravanche. Here's a film
that presumably sounded good when sketched out on a sheet of toilet
paper but ended up looking like a cross-between an accident in an
Albanian joke factory and a misogynist's two-fingered salute to
feminism. The main offender is the plot, which has a hard job on
the credibility front with its depiction of three supposedly
intelligent modern women resorting to the most drastic of measures in
the name of women's lib.
The characters could not be more unconvincing if they had an extra
three arms, spoken fluent Welsh and were forced to spend the entire
duration of the film jumping up and down on pogo sticks. It takes
the combined efforts of Annie Girardot, Victor Lanoux and Claude Rich
to salvage this ramshackle comedy (directed with more enthusiasm than
skill by Pierre Lary, former assistant to Luis Buñuel no less),
but whilst there is some occasional fun to be had along the way,
La Revanche is unlikely to rate
highly in anyone's list of French comedies. The fact that the
storyline has been recycled at least a dozen times since (and rarely
improved upon) doesn't help much. Pro-feminist, anti-feminist or
just plain silly...? You decide.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Jeanne Jouvert is far from pleased when her husband, a police
commissioner, takes the credit when she wins a prize for her detective
novels. Anne Beaufort has even more reason to be angry with her
spouse, when she learns that he is a gunrunner. Determined
to have their revenge against a cynical, male-oriented society, the two
friends join up with another woman, Sylvie, to carry out a hold-up...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.