Sarah Arendt and her eight-year-old daughter Lola are enjoying a peaceful
holiday on a remote Scottish island when disaster strikes. The little
girl goes missing and the attempts to find her prove completely fruitless.
The disappearance of Lola puts such a strain on her parents' marriage that
they end up separating not long afterwards. The girl's father, Martin,
used to be a successful lawyer. Now he is a wreck of a man, prone to
severe bouts of depression and alcoholism. Two years after Lola went
missing she suddenly appears from nowhere, in precisely the same spot where
she vanished.
Scarcely able to believe this fantastic turn of events, Martin goes to collect
his daughter. He is surprised and relieved to find that she is in perfect
health. Bizarrely, Lola is unable to offer any account of what has
happened to her and she remains dumb when her father tries to tease the truth
out of her. Martin is convinced that his daughter is hiding something
from him, and slowly his suspicions turn to paranoia. Fearing that
he is caught up in some conspiracy, he regards everyone around him as an
enemy and is convinced that someone is spying on him wherever he goes.
As Martin and Lola make their way across the rugged island it appears that
they are heading ever closer towards a truth that is too terrifying to contemplate...
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.