Le Faux magistrat (1914)
Directed by Louis Feuillade

Crime / Thriller

Film Review

Abstract picture representing Le Faux magistrat (1914)
Le Faux Magistrat is the fifth and final instalment in Louis Feuillade's popular and hugely influential Fantômas thriller series. By far the weakest entry in the series, Le Faux Magistrat lacks the pace and artistry of the preceding episodes and is a comparatively mundane affair - you sense that Feuillade has grown tired with the subject and is keen to move on to pastures new. The following year, undeterred by the privations of World War I, he'd be busy with his next crime series, Les Vampires (1915).

This sense of apathy is immediately apparent both in the lacklustre plot, which feels like reheated left-overs, and the diminished status of the main characters.  The master crook Fantômas has lost his capacity to chill and is just another run-of-the-mill criminal, whilst his arch-enemy Juve is reduced to the level of a raving imbecile (not too far removed from Louis de Funès's portrayal in the 1964 remake).  Even the heroic Fandor, the original action hero, gets very little to do.

There are one or two striking set pieces (the best being the gruesome bell-ringing sequence, where blood and jewels rain down on a Church congregation), but overall this fifth Fantômas outing offers nothing new and it is painfully obvious that the series has run its course. It doesn't help that the surviving print is of poor quality, with many important scenes missing.
© James Travers 2001
The above content is owned by frenchfilms.org and must not be copied.
Next Louis Feuillade film:
Les Vampires (1915)

Film Synopsis

With their leader, the criminal mastermind Fantômas, securely incarcerated in a Belgium prison, two crooks named Paulet and Ribonard decide to target the Marquis de Tergall.  Facing financial ruin, the Marquis has no option but to sell his wife's valuable jewels, but both the jewellery and the money from the sale are stolen by Fantômas's cunning criminal associates.  Inspector Juve hasn't given up his hope of seeing his devious archenemy brought to justice in France, so he hatches a plan to allow Fantômas to escape from prison so that he can be picked up later.

Juve's scheme goes badly wrong, with the result that the out-manoeuvred police inspector is imprisoned and Fantômas is at liberty to resume his nefarious career.  Assuming the disguise of a respectable magistrate, the notorious king of crime returns to France and immediately sets about trying to extort a fortune from the unfortunate widow of the Marquis de Tergall.  The ever-resourceful journalist Fandor sees through the disguise, but Fantômas isn't defeated yet.  He still has one trick left up his sleeve...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Louis Feuillade
  • Script: Louis Feuillade, Marcel Allain (novel), Pierre Souvestre (novel)
  • Cast: René Navarre (Fantômas), Georges Melchior (Jérôme Fandor), Mesnery (Le marquis de Tergall), Laurent Morléas (L'apache Paulet), Jean-François Martial (Ribonard), Germaine Pelisse (La marquise de Tergall), Suzanne Le Bret (Rosa), Jane Faber (Princesse Danidoff), Renée Carl
  • Country: France
  • Language: French
  • Support: Black and White / Silent
  • Runtime: 70 min

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright