Le Petit poucet (2001)
Directed by Olivier Dahan

Fantasy / Drama
aka: Tom Thumb

Film Review

Abstract picture representing Le Petit poucet (2001)
It's quite a switch from hard-edged, ultra-violent post-noir thriller to whimsical children's fairytale, but director Olivier Dahan appears not to have been daunted by this challenge, although his adaptation of Charles Perrault's Tom Thumb is obviously cut from the same gore-saturated cloth as Dahan's previous Déjà mort (1998), minus some of that film's bloodier excesses.   Dahan's main strength as a director is his extremely well-developed visual imagination, which serves him in good stead in this, his most flamboyant film to date.  Le Petit poucet is far from being a masterpiece - at times it looks like something Tim Burton may have knocked out in a deranged drunken stupor - but it is a distinctive, visually striking piece of film art that is just about held together by its own eccentric poetry.

Dahan may be a titan on the design front but he is far less successful as a director of actors, and it is this that makes Le Petit poucet painful viewing for anyone expecting a serious piece of drama with convincing characters and a coherent narrative.  Despite the liberal smattering of high calibre actors in supporting roles (Romane Bohringer, Élodie Bouchez, Catherine Deneuve and Romain Duris all put in a brief appearance), the performances are generally below par (occasionally terrible) and cause you to wish that Dahan had gone the whole hog and opted for animation rather than live action.  It is also unclear who the film's target audience is supposed to be.  The naivety of the script and direction would suggest that the film is aimed at a pre-school child audience, but most responsible parents would think twice about subjecting their impressionable toddlers to the film's grim excursions into adult violence.  And this is the central, irredeemable flaw of Le Petit poucet - it is too self-consciously childish to appeal to adults, and yet too casually 'grown-up' to be suitable entertainment for young children.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Next Olivier Dahan film:
La Vie promise (2002)

Film Synopsis

Once upon a time, in a far off land, there was a little boy named Tom Thumb.  He lived on a farm with his parents and many brothers, all of whom despised him because he was so small and puny.   Times were hard and, during a long war, the farm was raided by soldiers, who took all they could find, leaving Tom's family even more poor and desolate than before.  Realising that they all faced starvation, Tom's parents took their children into the forest one day, and abandoned them there.  The children not only had marauding wolves to be afraid of, but also the warriors of a fearsome soldier with an iron leg.  But the greatest of all their fears was the child-eating Ogre...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Olivier Dahan
  • Script: Olivier Dahan, Charles Perrault (story), Agnès Fustier-Dahan
  • Cinematographer: Alex Lamarque
  • Music: Joe Hisaishi
  • Cast: Nils Hugon (Poucet), Raphaël Fuchs-Willig (Pierrot), William Touil (Martin), Pierre-Augustin Crenn (Jacques), Théodule Carré-Cassaigne (Joseph), Hanna Berthaut (Rose), Romane Bohringer (La mère de Poucet), Pierre Berriau (Le père de Poucet), Dominique Hulin (L'ogre), Élodie Bouchez (La femme de l'ogre), Samy Naceri (Le soldat à la jambe de fer), Catherine Deneuve (La reine), Saïd Taghmaoui (Le chef de troupe), Clément Sibony (Le soldat mourant), Carlo Brandt (Le cavalier), Isaac Sharry (Le soldat sympathique), Romain Duris (Un garde de la reine), Tonio Descanvelle (Un garde de la reine), Jean-Paul Rouve (Le cavalier de la reine), Maurice Barthélémy (Le comptable de la reine)
  • Country: France
  • Language: French
  • Support: Color / Color
  • Runtime: 90 min
  • Aka: Tom Thumb

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright