Le Rôle de sa vie (2004) Directed by François Favrat
Comedy / Drama / Romance
aka: The Role of Her Life
Film Review
For his debut feature, director François Favrat takes a timely
sideswipe at society's obsession with celebrity whilst serving up
a highly enteraining variation in the rom-com line.
Le Rôle de sa vie features two of the darlings of French cinema today,
Agnès Jaoui (well-known for her caustic comedies such as
Le Goût des autres (2000))
and Karin Viard (the star of such films as
La Nouvelle Ève (1999)).
These two talented performers make an effective contrast, the one
comfortably set up as a self-obsessed yet vulnerable
starlet (think Norma Desmond in her youth), the other a dowdy Miss Nobody whom
no one ever notices.
An original and nunaced script that gives cliché a wide berth
allows both of the lead actresses to play
to their strengths, giving performances that are sympathetic, believable and gently amusing, not
the broad caracatures you would expect to find in a lesser comedy.
Jonathan Zaccaï is equally engaging as the
hapless lover caught in the middle of a romantic tug-of-war and crisis of conscience,
and is clearly an actor to watch out for.
The film is simultaneously poignant, thought-provoking and funny -
a very auspicious debut from a director with a shrewd understanding
of human relationships.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Claire Rocher is a freelance journalist for a fashion magazine who lacks
the confidence to make a success of her career and her love life.
The crushing tedium of her existence is relieved on the day she finds herself
in a car with her favourite actress, Elizabeth Becker. The actress
is not in the best of moods and, anxious that she may have offended her admirer,
she apologies to her a few days later and asks if she would like to interview
her. Naturally Claire jumps at the chance and in next to no time the
two women find they have a natural rapport, even though their personalities
and lifestyles could hardly be more different. Elizabeth engages Claire
as her personal assistant, and something of her self-confidence begins to
rub off on her new friend. But when Claire takes a liking to Mathias,
an attractive young gardener, she is none too pleased when Elizabeth offers
him some work and starts to become intimate with him. A beautiful friendship
looks as if it is about to turn very sour...
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.