Le Voile bleu (1942)
Directed by Jean Stelli

Drama
aka: The Blue Veil

Film Review

Abstract picture representing Le Voile bleu (1942)
It may be hard to believe today but Le Voile bleu was a phenomenal box office hit when it was first released in France during the Nazi occupation.  Audiences were enraptured by this creaking, overly sentimental melodrama which offered Gaby Morlay the greatest film role of her career.  A shameless tear jerker, this is the French equivalent of the schmaltzy women's pictures that stars such as Bette Davis had been churning out on the other side of the Atlantic, presumably to keep the manufacturers of pocket handkerchiefs in business.  It is a sign of how much audiences have changed over the past half a century that this kind of film now fails to have any real emotional impact and feels false and excruciatingly contrived.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

France, 1914.  Not long after her husband is killed in the war, Louise Jarraud gives birth, but her newborn baby lives only a few hours.  The experience has a profound effect on Louise and, her maternal instinct aroused, she decides to dedicate the rest of her life to caring for children.  She finds a position as a nurse with a solitary widower, Emile Perrette, but when he offers to marry her she leaves and works for another household.   Louise knows that she can never marry again, that she lives only for the infants who are placed in her trust...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Stelli
  • Script: François Campaux
  • Cinematographer: René Gaveau, Marcel Grignon
  • Music: Alfred Desenclos, André Theurer
  • Cast: Gaby Morlay (Louise Jarraud), Elvire Popesco (Mona Lorenza), André Alerme (Ernest Volnar-Bussel), Fernand Charpin (Émile Perrette), Aimé Clariond (Le juge d'instruction), Pierre Larquey (Antoine Lancelot), Marcelle Géniat (Madame Breuilly), Georges Grey (Gérard Volnar-Bussel), Jeanne Fusier-Gir (Mademoiselle Eugénie), Renée Devillers (Madame Forneret), Denise Grey (Madame Volnar-Bussel), Francine Bessy (La jeune danseuse), Jean Clarieux (Henri Forneret), Pierre Jourdan (Dominique), Camille Bert (Le médecin), Noël Roquevert (L'inspecteur Duval), Marcel Vallée (L'impressario de Mona Lorenza), Jean Bobillot (Julien), Mona Dol (L'infirmière-chef), Camille Guérini (d'Aubigny)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 105 min
  • Aka: The Blue Veil

The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright