Film Review
Once again, writer-director Philippe Muyl returns with another barrel-load
of treacly sentimentality, which this time he liberally scatters around the
big open spaces of Canada in his overly sentimental tale of a young boy's
friendship with a pair of itinerant clowns. After a promising start
to his career with his amiable adult comedies
Cuisine et dépendances
(1993) and
Tout doit disparaître
(1997), Muyl went off towards more childish fare with
La Vache et le Président
(2000), and has stayed there since, although the success of his 2002 film
Le Papillon (2002) shows that
there is obviously a market for his brand of generously overdone schmaltz.
As in his previous two films, Muyl anchors his latest film
Magique
on an unlikely relationship between a child and an adult, in a somewhat awkward
attempt to bridge the world of childhood innocence with that of grown-up
experience. Despite one or two inspired touches (including some unaccountably
weird surreal interludes), the film is so hideously mired in acute preciousness
that it is a chore to sit through, even if it does feature the endlessly
adorable Marie Gillain. Like Muyl's previous screen offerings, this
one seems to be aimed primarily at young children and has little appeal to
adults, at least not those who are easily turned off by icky homespun narratives
steeped in gratuitous saccharine.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Philippe Muyl film:
Cuisine et dépendances (1993)
Film Synopsis
Ten-year-old Tommy looks up at the sky each night and wonders if his father
will ever return. He has never met his father, but he is sure that
he is an astronaut, just as he knows that one day he will come back to Earth
to see visit his son. Otherwise, Tommy's life is pretty uneventful.
He lives alone with his mother Betty on a farm in the middle of the French
countryside, miles from anywhere interesting. Betty is doing her best
to keep the farm afloat, but without a man to share her burden it is an uphill
struggle. She keeps her eyes open for a suitable partner, but somehow
he fails to turn up. Like her son, she lives in hope that one day a
stranger will enter her life and fulfil her dreams. She might as well
believe in spacemen...
One day, Tommy is excited when he hears that a circus is passing through
the area. Lacking the necessary authorisation, the circus has been
barred from the town that was to be its next venue. Tommy has
the solution: why doesn't the circus settle on his mother's land for a few
days? He easily talks his mother around to agreeing to this plan, and
the circus performers are delighted to have found such a convenient spot
to stay. The only problem is that the big top seems to have gone astray
in the move, and without this the circus shows cannot go ahead. As
the troupe impatiently awaits the arrival of the missing tent, Tommy gets
to forge a lasting friendship with the two clowns, Auguste and Baptiste.
Betty also takes a liking to the clowns, and begins to recognise in one of
them the man she has long been waiting for...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.