Nous autres à Champignol (1957)
Directed by Jean Bastia

Comedy

Film Review

Abstract picture representing Nous autres a Champignol (1957)
Nous autres à Champignol is the first in a series of modest working class comedies directed by Jean Bastia, including two set in the mythical backwater village of Champignol.  To his credit, Bastia was one of the first directors to exploit the comedic talents of Louis de Funès, and his films, whilst not classics, are both mildly entertaining and an honest portrait of the working class milieu at the time.  Jean Richard, one of Bastia's favourite comic actors, enlivens his first feature and prevents it from being as dull as the locale in which it is set.  Any film which starts by telling the audience it is set in the dullest place in France and then spends five minutes explaining why this is so is treading on very thin ice, but thanks to Richard's exuberant performance (ably supported by such familiar faces as Mario David and Noël Roquevert) Champignol turns out to be a slightly livelier place than we might have feared.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Champignol is a small rural community somewhere in France, a place where nothing ever happens or is ever likely to happen.  The village hopes to improve its chance of winning a football match against a rival village, Fouzy, by obtaining the goalkeeper, Claudius, from the latter's team in exchange for a cow.  Claudius is a no hoper until he meets the lovely Solange.  As if by magic, he wins the match and the girl...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Bastia
  • Script: Jean Bastia, Guy Lionel, Guy Lionel (dialogue), Roger Pierre (dialogue)
  • Cinematographer: Marc Fossard
  • Music: Gérard Calvi
  • Cast: Jean Richard (Claudius Binoche), Annick Tanguy (Solange), Nina Myral (Mlle Tintoret), Jacqueline Hopstein (L'autre demoiselle Tintoret), Max Elloy (Maxime), Mario David (Gino), Robert Rollis (Milou), André Philip (Bouillaud), Jacques Richard (Un sportif), Milly Mathis (Eugénie), Anne Wartel (Suzy), Noël Roquevert (Dugenet), Roger Pierre (Un garde), Jean-Marc Thibault (Un garde), Jean Lefebvre (Un soldat romain), Hubert Deschamps, Lucien Guervil, Marcel Mérovée, Jack Ary, Paul Bonifas
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 81 min

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright