Out 1: Noli me Tangere (1971)
Directed by Jacques Rivette, Suzanne Schiffman

Comedy / Drama / Thriller
aka: Out 1

Film Review

Abstract picture representing Out 1: Noli me Tangere (1971)
Out 1 is like a more avant-garde Thomas Pynchon, or Honoré de Balzac on drugs. A true piece of art, it's unpredictable, a darkly epic tragedy one moment, and a hysterically unsettling comedy the next. This pantheon of a film creates it's own trippy, jagged landscape, laws and time. Its symbolic insanity creates a confusing, enigmatic, experimental ride that lasts thirteen hours. It may call for some coffee and blankets for some, but for those who truly love films, you'll find a massive, tremendous and complicated masterpiece to enjoy.

There is no way to explain this electrifying film. Jacques Rivette (the director) and Suzanne Schiffman, inspired by Honoré de Balzac, came up with nothing but a scenario. They rounded up the most talented actors of the French New Wave, and then let them improvise the next 13 hours, with nothing but that scenario. The result? An otherworldy, bizarre fairy tale, juxtaposing interweaving lives and social classes, told through a hallucinogenic roller coaster of madness, forming a sort of cinematic post-modern architecture.

This is definitely the most experimental (and one of the best) films of the French New Wave. Rivette's twelve and a half hour magnum opus has gained fame (and notoriety) for it's length and rarity. It's truly a miracle to witness, and possibly one of the greatest experimental works of art, of any kind, of the 20th century. Experimental films may never be the same again, and you may never look at films in the same way either.
© Aaron, Canada 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Jacques Rivette film:
Céline et Julie vont en bateau (1974)

Film Synopsis

In Paris in the late 1960s, two theatrical companies are immersed in rehearsing performances of two well-known works by the ancient Greek playwright Aeschylus - Prometheus Bound and Seven Against Thebes.  It is a protracted and strenuous ordeal, but gradually both projects start to take shape, thanks to the persistence of the director and stamina of the cast.  Meanwhile, not far away, a deaf and mute young man named Colin discovers the existence of a secret society.  Intrigued, and with nothing better to occupy him, the young man sets about trying to find the thirteen members of this strange society...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jacques Rivette, Suzanne Schiffman
  • Script: Jacques Rivette, Suzanne Schiffman, Honoré de Balzac (novel)
  • Cinematographer: Pierre-William Glenn
  • Music: Jean-Pierre Drouet
  • Cast: Michèle Moretti (Lili), Hermine Karagheuz (Marie), Karen Puig (Elaine), Pierre Baillot (Quentin, un acteur), Marcel Bozonnet (Nicolas), Jean-Pierre Léaud (Colin), Michael Lonsdale (Thomas), Sylvain Corthay (Achille), Edwine Moatti (Béatrice), Bernadette Onfroy (Bergamotte), Monique Clément (Faune), Juliet Berto (Frédérique), Gérard Martin (Un faux célibataire), Gilette Barbier (La logeuse de Colin), Jean-Pierre Bastid (Trois truand), Urbain Dia Mokouri (Trois truand), Jacques Prayer (Trois truand), Michel Berto (Honeymoon), Michel Delahaye (Un ethnologue), Bernard Eisenschitz (Un pornographe)
  • Country: France
  • Language: French
  • Support: Black and White / Color
  • Runtime: 729 min
  • Aka: Out 1 ; Out 1, noli me tangere

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright