Secret défense (2008)
Directed by Philippe Haïm

Action / Thriller
aka: Secrets of State

Film Review

Abstract picture representing Secret defense (2008)
Secret défense starts from an interesting premise - to show how the techniques employed by Islamic terrorists to recruit and train their warriors are mirrored by those of the national security services - it falls down massively in the execution.  Too slavishly enamoured of the latest species of Hollywood action blockbuster, director Philippe Haïm delivers a punchy, visually striking film that is all but lacking in substance.   This is clearly not the same Haïm that previously brought us the idiosyncratic black comedy Barracuda (1997) and the live-action Lucky Luke fiasco Les Dalton (2004).  Secret défense is formulaic, soulless and of interest only to those who derive a gutless satisfaction from watching mindless spectacles of violence.  Had more effort gone into the screenwriting, had Haïm shown more restraint in his offputtingly showy mise-en-scène (most of the film was shot with hand-held-cameras, and it shows) and avoided the needlessly frenetic editing, had the actors been invited to tone down their performances, then this may have been something worth watching.  As it is, it is just another shallow, self-indulgent action fest, clichéd to death and completely lacking in characterisation and narrative focus.
© James Travers 2011
The above content is owned by frenchfilms.org and must not be copied.
Next Philippe Haïm film:
Barracuda (1997)

Film Synopsis

Alex heads France's counter-terrorist department, the DGSE (Directorate-General for External Security).  It is a job that requires his total commitment and it gives him no space for a private life of his own.  His is a private war against fanatics who are determined to overthrow his world, and like them it is a war he is prepared to fight to the bitter end, with all of the resources he has at his command.  In Diane, Alex has an exemplary recruit - a naive young woman who is soon indoctrinated into his methods and way of thinking.  Meanwhile, petty criminal Pierre falls under the influence of Aziz, an Islamic fundamentalist who believes that terrorism is justified in defending his religious convictions.  Without knowing it, Diane and Pierre soon become pawns on opposites sides of a deadly game being played with merciless intent by Alex and his terrorist counterpart Al Barad...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Philippe Haïm
  • Script: Natalie Carter, Philippe Haïm, Julien Sibony
  • Cinematographer: Jérôme Alméras
  • Music: Alexandre Azaria
  • Cast: Gérard Lanvin (Alex), Vahina Giocante (Diane), Nicolas Duvauchelle (Pierre), Mehdi Nebbou (Ahmed), Rachida Brakni (Leïla), Simon Abkarian (Al Barad), Aurélien Wiik (Jérémy), Katia Lewkowicz (Aline), Kamel Belghazi (Aziz), Djemel Barek (Khaled), Carim Messalti (Hajj), Hassam Ghancy (Danar), Nicolas Marié (Fouche), Salem Kali (Salem), Moussa Maaskri (Slim), Saïd Amadis (Client Lisa), Catherine Hiegel (La mère de Pierre), Jil Milan (Homme S.A.), Asil Raïs (Quayim), Anatole Taubman (Daniel)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 100 min
  • Aka: Secrets of State ; Secret Defense ; Secret Defense (State Secret)

The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright