Film Review
With its groundbreaking special effects and a narrative that is driven
mostly by mindwarping scientific exposition,
The Andromeda Strain stands as one
of the most sophisticated and intelligent sci-fi movies of all
time. Closely based on Michael Crichton's first bestselling
novel, the film offers a chilling visualisation of an all-too real nightmare
scenario and was highly topical for its time. One of the biggest
concerns about the 1969 NASA lunar mission was the possibility of a
deadly space virus being brought back to Earth by the astronauts, and
the prospect of germ warfare had begun to enter public consciousness.
Director Robert Wise was of the opinion that the subject of Crichton's
novel was more science-fact than science-fiction and so went for a cold
documentary-style approach. This explains why there are no big
name actors in the cast and why the film is shot in a clinically
detached, realist fashion. This approach is most effective in the
film's chilling opening sequences, which reveal a dusty desert town strewn with
corpses, a harbinger of the global disaster that is to come if the
scientists fail in their mission. Wise, one of Hollywood's most
versatile filmmakers, had previously directed
The Day The Earth Stood Still
(1951), one of the great classics of the sci-fi genre, and would later
helm the first
Star Trek
movie.
The mood and content of
The
Andromeda Strain owe much to Hammer's
Quatermass films of the 1950s
(which were adapted from Nigel Kneale's BBC television serials).
Once the nature of the threat has been conveyed, the tension is
gradually ratcheted up, building to a nerve-wracking climax, with an
odd assortment of scientists caught up in a race against time to defeat
a mutating microbiological organism. Nelson Gidding's taut
screenplay and Wise's masterful direction, to say nothing of the
central performances, achieve the impossible, to make a
pseudo-realistic science-based drama utterly compelling.
Much of the credit for the film's striking realism should go to Boris
Leven, who designed the stunning ultramodern sets, and effects designer
Douglas Trumbull. Having previously worked wonders on Stanley
Kubrick's
2001: A Space Odyssey (1968),
Trumbull surpasses himself here with some revolutionary effects work,
including the use of computer controlled photography to visualise the
deadly space micro-organism. Gil Mellé's electronic
score is also an innovative touch and adds greatly to the film's
brooding sense of menace.
The Andromeda Strain is a far
cry from today's action orientated sci-fi movies and places great
demands on the spectator. With a runtime of just over two hours,
the film is perhaps a little overlong and could have benefited from
some judicious pruning (the seemingly interminable decontamination
sequence merits some serious truncation.). Equally, some of the
plot developments are a little hard to swallow (a project equipped with
the latest in scientific hardware is almost completely derailed by a
printer paper-jam!) and the film does itself few favours when it gets
preachy and starts ranting about Cold War politics and
discriminatory employment practices. When the film ends, it
ends abruptly and with a swift plot resolution that pretty well
undermines everything that has preceded it. Crunch
your popcorn at the wrong moment and you will completely miss how the
micro-organism was destroyed.
Whilst it has its failings,
The
Andromeda Strain nevertheless remains one of the most gripping
and intelligent films of its genre. Some tongue-in-cheek humour
deflects us from the plot defects and once the story has gathered
enough momentum, its pace doesn't let up for a second. The
effects are still impressive, even by today's standards, and Crichton's
concept can hardly fail to send shivers down the spine. This is
the stuff not of fantasy but of nightmare-inducing reality.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Next Robert Wise film:
The Hindenburg (1975)
Film Synopsis
Returning to Earth after probing the dark reaches of space, a satellite
drifts off course and crashes into Piedmont, a small town in New
Mexico. The team who are sent to recover the satellite find
the town strewn with dead bodies. The only survivors are a
drunken old man and a baby. Everyone else has died from a
mysterious blood-clotting condition. To investigate this
potentially disastrous threat from space, a top secret project
codenamed Wildfire is suddenly set in motion. Four scientists are
brought to an ultramodern laboratory situated deep beneath the Nevada
desert. Their mission: to identify the biological agent that
wiped out the population of Piedmont and find a way to destroy
it. If they fail, the entire human race could become extinct
within a matter of weeks...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.