Film Review
One of a handful of truly impressive film noir crime dramas to be made in Britain,
The Good Die Young benefits from a
mixed Anglo-American cast which gives it a realism and harder edge than
many contemporary British thrillers. The film was directed by Lewis Gilbert,
one of Britain's most prolific filmmakers, distinguished by such
films as the wartime biopic
Carve Her Name with Pride (1958),
although he is now best known for the three James Bond movies he made in the 1960s and '70s, notably
The Spy Who Loved Me (1977). Gilbert had no qualms about
appropriating some of the familiar iconography of American film noir, and he
employed these expertly to create a tense and suspenseful drama whose main strength is a
particularly gripping denouement.
Laurence Harvey makes a slick and delightfully sinister villain in the
charming Tom Ripley psychopath tradition; he would later marry Margaret
Leighton, who plays his wife in the film, and would hit the big time
when he starred in
Room at the Top (1959), which
was directed by Jack Clayton, who was executive produce on this
film. The film features Joan Collins in her last British film
before Howard Hawks hired her as his leading lady in
Land of the Pharaohs (1955),
launching her international screen career.
The Good Die Young is a somewhat let down by its contrived plot
and a leaning towards the kind of over-egged melodrama that had become
dated by the mid-1950s. However, the superb direction and faultless performances
more than make up for the deficiencies in the script.
The Good Die Young is essential
viewing for any devotee of the British crime thriller, offering a
foretaste of the stylish hardboiled thrillers which were to explode
onto cinema screens in the following decades. Other essential
examples of 'Brit noir' from this era include
Brighton Rock (1947),
The Third Man (1949) and
The October Man (1947).
© James Travers 2009
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Next Lewis Gilbert film:
Reach for the Sky (1956)
Film Synopsis
Four men, all law abiding citizens, decide to rob a mail van.
Mike is a retired boxer who is unable to find work after having had his
hand amputated. Joe is an unemployed office clerk who needs
money to return to the United States with his pregnant wife.
Eddie is a US airman who has deserted after learning that his wife, a
famous actress, has been having an affair with her director. Rave
considers himself a gentleman of leisure, sponging off his wife, until
she decides she no longer wants to underwrite his dissolute
lifestyle. Four men, each desperate to make easy money. All
they have to do is to steal a few sacks of used notes from a mail van
and all their problems will be over...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.