Film Review
The Incredible Shrinking Man
surely deserves its reputation as one of the finest of the 1950s
science-fiction movies, if only on the strength of its special effects,
which are extraordinarily effective for this period.
Through some inventive use of split screen, back projection, mattes and enlarged props of
household objects, the film makes it remarkably easy for us to suspend
our disbelief and empathise with the plight of Scott Carey as he makes
his fantastic one-way voyage towards the realm of the quantum and,
presumably, a close encounter with his creator.
The film is most famous for the two set-piece scenes in which
the hero, adeptly played by Grant Williams, is attacked by his cat and
a household spider. What makes these sequences so memorable and
frightening is the imaginative and skilful way in which they are shot
and edited, so that even though the effects are not quite perfect there
is a terrifying sense of reality.
This was not the first sci-fi
film to feature mis-proportioned monstrosities. Director Jack
Arnold had previously given us another bout of spider-themed horror in
Tarantula (1955)
whilst ants had had their big moment in the classic
Them! (1954).
What sets
The Incredible Shrinking
Man apart from many other sci-fi B movies of this era is that
not only does it offer impressive effects but it is also intelligently
scripted and never loses sight of the human implications of its
story. The screenplay was written by Richard Matheson, a
distinguished writer of science-fiction literature, best known for his
acclaimed novel
I Am Legend.
Through its first person narrative, the film conveys not only the
tragic poignancy of the hero's predicament but also the profound
spiritual metamorphosis that accompanies his physical shrinkage.
Once Scott Carey has accepted the inevitable, that he will ultimately
shrink to nothing, his life sudden acquires meaning and he can face his
future with equanimity and an enhanced awareness of the miracle of creation.
There are some potent quasi-religious and metaphysical undertones to
the film which give it a poetic, spiritual dimension that somehow
doesn't leave an unpleasant after-taste. The haunting monologue
that concludes the film was contributed by Jack Arnold and provides a
fitting end to what is as much a meditation on the nature of existence as a piece of
thrilling sci-fi adventure.
The
Incredible Shrinking Man is as compelling a piece of
science-fiction that you could hope to find in American cinema of the
1950s, and still stands head and shoulders above much of today's
effects-driven sci-fi extravaganzas.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
During a boating holiday with his wife Louise, Scott Carey is enveloped
in a strange mist which causes his body to glisten mysteriously.
A few months later, Scott begins to notice that his clothes are too
large for him. Convinced that he has lost two inches in height
and several pounds in weight, Scott consults his doctor, who assures
him that there is nothing amiss. The same doctor revises his
opinion when Scott continues to shrink. It appears that what
Scott is experiencing is an unprecedented reorganisation of the
molecules in his body, caused by almost simultaneous exposure to
insecticide and radioactive particles. By the time he is three
feet tall, Scott has become an object of national media interest, but
what he wants is not fame but a cure for his condition. The
doctors think they have a solution, but their serum merely arrests
Scott's shrinkage for a few days. Within a few more weeks, Scott
is reduced to the size of a small toy man, living in a doll's
house. When his wife is away, Scott is attacked by their cat and,
after a desperate attempt to avoid being eaten by his feline predator,
he tumbles into the basement. Here, he finds himself in a
terrifying new world. Alone, he must fend for himself, living by
instinct if he is to survive. It is here that he faces his
greatest threat, a household spider which, to him, has the proportions
of a ferocious gigantic monster...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.