Film Review
Sapphire and Steel's third assignment (first broadcast on ITV in
January 1981) moves away from the shadowy, claustrophobic
ghost-infested interiors of their first two adventures and lands in the
seemingly more mundane and familiar setting of a modern apartment
block. It's a dull setting for what is ultimately the dullest of
the time-fixing duo's six stories, and the fact that is dragged out to
six episodes and is let down by some laughably bad special effects
merely accentuates its weaknesses on the design and writing
fronts. As a tightly scripted four-parter, Assignment Three would have
worked far better, and this would have had the added bonus of freeing
up two more episodes for the next, far better, story in the series.
It's not all bad, however. For one thing, this is the adventure
that marks the first appearance of Silver, the mischievous 'Specialist'
whose special skills include melting metal in his bare hands, changing
one object into another and aggravating all and sundry with his
congenital smugness. Silver's presence brings an interesting new
dynamic to the relationship of the principals, with an unmistakable
heightening of the sexual tension caused by some not-so-subtle
allusions to an earlier relationship between Sapphire and Silver.
If Steel was brusque and irritable in his first two assignments, here
he is an absolute sourpuss, bullying everything in sight apart from his
own shadow. With Steel playing the sulky teenager, vandalising
elevator cables and such like to help relieve his pent-up aggression,
you could easily forgive Sapphire (looking more exotic than ever)
if she went off with Silver and left him to sort
things out by his own surly self. Precious thanks she
gets for sticking around and dealing with the latest time-threatening
entity.
The well-lit contemporary setting makes it harder for director Shaun
O'Riordan to instil the same degree of menace into these six episodes
as he had done, so magnificently, on the previous fourteen, but some
imaginative camerawork takes him most of the way there. The
script makes even less sense than those of the previous two stories and
seems to be riddled with internal inconsistencies. (What is the
point of a sociological survey if the participants are not able to
interact with the world around them, or even eat the food of the
period?) There are, however, plenty of original concepts to mull
over, some of which are genuinely freaky. The idea that the human
race will, at some time in the future, dispense with all other animal
life is chillingly plausible, as is the possibility that 'animal parts'
will be grown for use as components for bio-mechanical machines.
Assignment Three takes a while (three episodes at least) to get into
its stride but when it does finally get moving the viewer's patience is
eventually rewarded. The plot may give you the mother of all
migraines if you try to unravel it but overall it's another
entertaining excursion into the bafflingly weird, with plenty of cheap
thrills and deadpan humour along the way.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In a typical urban apartment in the present day a couple are leading
what seems to be a perfectly normal urban family life. They are
in fact participants in a sociological survey who have travelled back
from the future to the 1980s via a time capsule. The woman,
Rothwyn, becomes concerned when she is unable to establish contact with
similar capsules sited at two other locations. The man, Eldred,
assures her that there is no threat either to themselves or their baby
son, provided they remain inside the capsule. Sapphire and Steel
conclude otherwise when they land on the roof of the apartment block,
having detected dangerous temporal disturbances in the area. They
trace a powerful time source to the invisible time capsule on the roof
but are unable to gain access to it. Silver, an associate of
theirs, appears and sets about finding a way into the capsule.
Just as he succeeds, Sapphire is whisked away and ends up in one of the
other capsules, to find that its occupants are all
dead...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.