Film Review
The Left Hand of God was the
film that reunited director Edward Dmytryk and actor Humphrey Bogart
after their immensely successful collaboration on
The Caine Mutiny (1954), which is
regarded by some as Bogart's best film. The
Left Hand of God certainly has its
strengths, particularly the adept use of CinemaScope to convincingly
evoke its rural China setting, but it is also beset by some notable
flaws that greatly diminish its standing, even among die-hard Bogart
enthusiasts.
When Humphrey Bogart made this film, his declining health, accentuated
by alcohol and tobacco addiction, had become all too apparent.
His co-star Gene Tierney also had serious health problems - she had
been suffering from mental illness which made it virtually impossible
for her to work. Casting two sick people in the lead parts of a
film probably wasn't the smartest move, but, to be fair, Bogart and
Tierney, whilst not at the height of their form, do pretty well
with the material they are given.
The real failings with this film lie almost entirely in the script
department. The characters are unconvincing not because the
performances or direction are bad but because they are underdeveloped
and speak in the most tedious platitudes. Even less thought has
gone into the plot, and so the film just seems to drift, never reaching
any dramatic highs, merely fizzling out at the end, like an expensive
firework that fails to ignite. Worse, there are the most
egregious and hackneyed attempts at moralising, so lacking in sincerity
and intelligence that you can only wince at the ineptitude of the
screenwriter. If only Dmytryk had asked someone of the calibre of
Graham Greene to write the screenplay,
The Left Hand of God could have
been a very powerful study on how faith and experience can lead to a
spiritual renewal, rather than the limp and muddled curiosity it ended up
as.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Edward Dmytryk film:
The Young Lions (1958)
Film Synopsis
A Catholic priest, Father O'Shea, arrives at a small mission in a
remote province of China in 1947. He receives a lukewarm
welcome from missionaries Dave and Beryl Sigman, who, having endured a
series of small disasters, expect their mission to close in the near
future. O'Shea has worries of his own and makes a visit to a
missionary in a neighbouring town to tell his story and ask for
advice. O'Shea reveals that he is an American pilot who,
after being shot down over China during WWII, was captured by the
notorious war lord Mien Yang. For the past few years, O'Shea -
whose real name is James Carmody - has been working for Yang.
Then, one day, Yang's men shot dead a priest named O'Shea, conveniently
providing Carmody with a way of escaping from his ruthless employer...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.