The Thrill of It All (1963) Directed by Norman Jewison
Comedy
Film Review
One of Doris Day's biggest hits, The
Thrill of It All is an ebullient satire on feminism and
advertising in the mid-1960s. Effectively partnered with James
Garner, Day livens up a conventional comedy and convincingly portrays
the dilemma of any woman who finds herself torn between her family and
desire to make something of her life. Norman Jewison's direction
is more workmanlike than inspired, but this doesn't lessen the film's
entertainment value nor the delightful on-screen rapport of the film's
two instantly likeable stars.
The film perhaps lacks the bite it could have had - its feminist
subtext is downplayed, presumably so as not to alienate its audience,
and the excesses of the advertising world are explored to greater comic
effect in Day's previous feature Lover Come Back (1961).
There are some misfired gags and an unnecessary plot digression in
which Garner tries to make Day jealous by pursuing another woman, but
overall the film hits the spot, delivering a happy little bundle of joy
- without recourse to an obstetrician.
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Film Synopsis
The Fraleighs are so ecstatic when they learn they are going to have a
baby that they invite their doctor, New York's leading gynaecologist
Gerald Boyer, to dinner. What should have been an uneventful
soiree turns into something quite different when soap magnate Tom
Fraleigh takes a liking to Boyer's wife Beverly. Convinced that
Beverly personifies the ordinary American housewife, the older Mr
Fraleigh persuades her to appear in a TV advertisement to sell his
Happy Soap. Lured by the prospect of easy money, Beverly
agrees, and within no time she has become a national phenomenon.
The only person who is not impressed by Beverly's burgeoning career in
advertising is her husband, who begins to resent being married to a
soap-sud celebrity...
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.