The Uncanny (1977)
Directed by Denis Héroux

Horror / Sci-Fi / Thriller / Comedy

Film Review

Abstract picture representing The Uncanny (1977)
One of the daftest horror anthologies ever to come out of a British film studio, The Uncanny feels uncomfortably like an Ealing-style parody of Hitchcock's The Birds, with malicious moggies taking the place of psychopathic ravens and seagulls.  The Grand Guignol horror may have titillated the less sophisticated film-goers when the film was first released in the late 1970s, but today it looks so camp and unreal that it isn't so much scary as downright funny. 

A magnificently tongue-in-cheek Donald Pleasence salvages the film in the third (and best) segment, which rightly goes for black comedy rather than the usual cheap horror thrills.  Cat-lovers are unlikely to appreciate the humour (the kitten baptism gag is a classic), but hardened ailurophobes will enjoy having all their vile anti-cat prejudices reinforced.

If you can overlook the dreadful puns and some truly risible special effects, The Uncanny is passable entertainment, mainly on account of its unintentional silliness and enjoyably cod-Gothic bravura performances, although it is clearly not in the league of the horror anthologies that had previously been made by Amicus and Hammer.  Every cat has his day, and this one just about deserves to be let out of the bag.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

For years, Wilbur Gray has been gathering evidence to support his theory that domestic cats are not only more intelligent than their owners, but that they have been controlling and exploiting man since the year dot.   One evening, he visits publisher Frank Richards to persuade him to publish his findings in a book.  Richards is sceptical, so Gray tries to convince him by relating three of the cases he has unearthed.  In London 1912, Miss Malkin makes a will in which she leaves her entire estate to her large family of cats.  Her nephew is outraged when he hears of this and asks his lover, Janet, who is Miss Malkin's housemaid, to find and destroy the will.   Whilst she is attempting to steal the will, Janet murders Miss Malkin, and the cats exact a terrifying revenge.  In Quebec 1975, 10-year-old Lucy moves in with her aunt after her parents are killed in an aeroplane crash.  Reluctantly, her aunt allows her to keep her cat, which upsets her cousin Angela, who begins to bully her.  The spiteful Angela manages to persuade her parents that the cat is a nuisance and must be destroyed.  The cat escapes and helps Lucy in cutting Angela down to size.   In Hollywood 1936, B-movie star Valentine De'ath murders his wife by staging an accident on the set of one of his horror films.  His wife's cat is none to pleased when De'ath takes up with an aspiring young actress and sets out to administer a typically feline form of poetic justice...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Denis Héroux
  • Script: Michel Parry
  • Cinematographer: Harry Waxman
  • Music: Wilfred Josephs
  • Cast: Peter Cushing (Wilbur), Ray Milland (Frank Richards), Joan Greenwood (Miss Malkin - London 1912), Roland Culver (Wallace - London 1912), Susan Penhaligon (Janet - London 1912), Simon Williams (Michael - London 1912), Alexandra Stewart (Mrs. Blake - Quebec Province 1975), Donald Pilon (Mr. Blake - Quebec Province 1975), Chloe Franks (Angela - Quebec Province 1975), Katrina Holden Bronson (Lucy - Quebec Province 1975), Renée Girard (Mrs. Maitland - Quebec Province 1975), Donald Pleasence (Valentine De'ath - Hollywood 1936), Samantha Eggar (Edina - Hollywood 1936), John Vernon (Pomeroy - Hollywood 1936), Catherine Bégin (Madeleine - Hollywood 1936), Jean LeClerc (Barrington - Hollywood 1936), Sean McCann (Inspector - Hollywood 1936)
  • Country: Canada / UK
  • Language: English
  • Support: Color
  • Runtime: 89 min

The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright