Un Barrage contre le Pacifique (2009)
Directed by Rithy Panh

Drama
aka: The Sea Wall

Film Review

Abstract picture representing Un Barrage contre le Pacifique (2009)
Acclaimed Cambodian filmmaker Rithy Panh offers his take on French colonialism in this visually arresting but somewhat passionless adaptation of a celebrated novel by Marguerite Duras.  Panh has previously received worldwide praise for his eye-opening documentaries about his home country, notably Rice People (1994) and S21: The Khmer Rouge Death Machine (2003).  His fictional drama Un Barrage contre le Pacifique is less impressive but still manages to make some powerful statements on the cruel injustice and dehumanising influence of imperialism.

Duras' story, a partially autobiographical account of the writer's own experiences in Indochina in the 1930s, is an obvious metaphor for the failings of colonialism.   The central character's attempt to build a seawall to preserve her livelihood echoes France's futile attempt to hold onto the country in the dying days of its empire.  Perhaps disappointingly, Panh makes no real attempt to develop the anti-imperalist themes and seems content merely to attempt a classical adaptation of a classical work of literature.  The film is visually stunning, the lush cinematography immediately evoking the natural splendour of the location, but it lacks passion and dramatic impetus.  Superficially, it is similar to Jean-Jacques Annaud's L'Amant (1992) (another Duras adaptation), and it feels just as stilted and lacking in emotional depth.

The film has one saving grace, however, which is Isabelle Huppert in one of her most compelling performances to date.  Huppert is perfectly cast as the morally ambiguous matriarch who, like mother France trying to safeguard her own colonial interests, is passionately and ruthlessly driven to preserve her way of life, even to the point of sacrificing her own daughter.  It is the conflicting nature of Huppert's character, which the actress conveys so brilliantly and with such subtlety, which propels the drama and gives it at least a semblance of depth.  Unfortunately, the lacklustre contributions from the other actors, whose characters are poorly developed and prone to caricature, undermine Huppert's efforts somewhat.  

At almost two hours in length, Un Barrage contre le Pacifique is something of a chore to sit through but the ordeal is made bearable by Isabelle Huppert's remarkable performance and some exquisitely beautiful location photography.   Hopefully the film will at least encourage its audience to take a look at Rithy Panh's earlier work and form a greater appreciation of a country which has endured more than its share of misery over the past century.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Indochina in 1931.  In the Gulf of Siam, a middle-aged mother is struggling to get by with her two children, Joseph and Suzanne, who are 20 and 16 respectively.  She has invested her entire fortune in a piece of land which is regularly flooded and therefore virtually impossible to cultivate.  Her only hope is to build a sea wall to keep the waters at bay, and she devotes herself to this mad scheme.  When Suzanne attracts the attentions of Monsieur Jo, the son of a rich businessman, the family sees an opportunity to improve their lot...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Rithy Panh
  • Script: Michel Fessler, Rithy Panh, Marguerite Duras (novel)
  • Cinematographer: Pierre Milon
  • Music: Marc Marder
  • Cast: Isabelle Huppert (La mère), Gaspard Ulliel (Joseph), Astrid Bergès-Frisbey (Suzanne), Randal Douc (Monsieur Jo), Vanthon Duong (Le caporal), Stéphane Rideau (Agosti), Lucy Harrison (Carmen), Doeun Thenn Nan (M. Khing), Chorn Solyda (Le père Sok), Ingrid Mareski (La femme de Pierre), Louis Arsac (Pierre), Rosa Meas (A'chan), Mang Son (A'sok), Phén Vann (Le chef du village), Jean-Pol Brissart (M. Bideau), Samuel Bartholin (M. Jouve), Cédric Eeckhout (Jeune agent du cadastre), Cédric Salze (L'agent du cadastre), Philippe Garcia (Le capitaine français), Emmanuel Collineau (Le sergent français)
  • Country: France / Cambodia / Belgium
  • Language: French
  • Support: Color
  • Runtime: 115 min
  • Aka: The Sea Wall

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright