Film Review
Acclaimed Cambodian filmmaker Rithy Panh offers his take on French colonialism in
this visually arresting but somewhat passionless adaptation of a
celebrated novel by Marguerite Duras. Panh has previously received
worldwide praise for his eye-opening documentaries about his home
country, notably
Rice People (1994)
and
S21: The Khmer Rouge Death
Machine (2003). His fictional drama
Un
Barrage contre le Pacifique is less impressive but still manages
to make some powerful statements on the cruel injustice and
dehumanising influence of imperialism.
Duras' story, a partially autobiographical account of the writer's own
experiences in Indochina in the 1930s, is an obvious metaphor for the
failings of colonialism. The central character's attempt to
build a seawall to preserve her livelihood echoes France's futile
attempt to hold onto the country in the dying days of its empire.
Perhaps disappointingly, Panh makes no real attempt to develop the
anti-imperalist themes and seems content merely to attempt a classical
adaptation of a classical work of literature. The film is
visually stunning, the lush cinematography immediately evoking the
natural splendour of the location, but it lacks passion and dramatic
impetus. Superficially, it is similar to Jean-Jacques Annaud's
L'Amant
(1992) (another Duras adaptation), and it feels just as stilted and
lacking in emotional depth.
The film has one saving grace, however, which is Isabelle Huppert in
one of her most compelling performances to date. Huppert is
perfectly cast as the morally ambiguous matriarch who, like mother
France trying to safeguard her own colonial interests, is passionately
and ruthlessly driven to preserve her way of life, even to the point of
sacrificing her own daughter. It is the conflicting nature of
Huppert's character, which the actress conveys so brilliantly and with
such subtlety, which propels the drama and gives it at least a
semblance of depth. Unfortunately, the lacklustre contributions
from the other actors, whose characters are poorly developed and prone
to caricature, undermine Huppert's efforts somewhat.
At almost two hours in length,
Un
Barrage contre le Pacifique is something of a chore to sit
through but the ordeal is made bearable by Isabelle Huppert's
remarkable performance and some exquisitely beautiful location
photography. Hopefully the film will at least encourage its
audience to take a look at Rithy Panh's earlier work and form a greater
appreciation of a country which has endured more than its share of
misery over the past century.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Indochina in 1931. In the Gulf of Siam, a middle-aged mother is
struggling to get by with her two children, Joseph and Suzanne, who are
20 and 16 respectively. She has invested her entire fortune in a
piece of land which is regularly flooded and therefore virtually impossible to
cultivate. Her only hope is to build a sea wall to keep the
waters at bay, and she devotes herself to this mad scheme.
When Suzanne attracts the attentions of Monsieur Jo, the son of a rich
businessman, the family sees an opportunity to improve their lot...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.