Un crime au paradis (2001)
Directed by Jean Becker

Comedy
aka: A Crime in Paradise

Film Review

Abstract picture representing Un crime au paradis (2001)
This lightweight black comedy was inspired by a well-known 1951 film La Poison, directed by Sacha Guitry and starring Michel Simon.  Whilst it may not be as satisfying as that earlier film, Un crime au paradis does have some appeal, thanks largely to its respectable cast, which includes at least three big name actors - Jacques Villeret, Josiane Balasko, and André Dussollier.  The film was directed by Jean Becker, whose best known films include the seductive thriller L'Été meurtrier (1983) and the nostalgic Provençal comedy Les Enfants du marais (1999).

As with many of Becker's films, the dialogue is a tad over-written (with a load of jokes that just don't work) and stylistically bland (even if the exterior photography is rather sumptuous).  The film's biggest weakness is its ridiculous characterisation.  Villeret's character is little more than a two-dimensional caricature of a country idiot, whilst Balasko's is just so unbelievably vile that it's hard to accept that Villeret hasn't already given her the Norman Bates treatment years ago.  It is the lesser characters that are more interesting and better played.  The doyenne of French cinema, Suzanne Flon is delightful as the elderly schoolmistress, the one credible character in the film, whilst Dominque Lavanant provides the best laughs as the prickly spinster pharmacist, whose one pleasure in life appears to be the procuring of mole poison for disenchanted housewives...
© James Travers 2007
The above content is owned by frenchfilms.org and must not be copied.
Next Jean Becker film:
Effroyables jardins (2003)

Film Synopsis

After twenty years of marriage Hell, goatherd Jojo Braconnier has finally turned his thoughts to ridding himself of his odious wife Lulu.  The only thing holding him back is the fear that, if he is found guilty of murder, he will be guillotined.  But then, one day, he sees a news report featuring a brilliant lawyer, Jacquard, who has successfully defended over a score of domestic murderers.   Seeing a glimmer of hope, Jojo visits Jacquard and confesses to the murder he has yet to commit.   The lawyer can hardly believe his luck - yet another case which he is certain to win.  Encouraged by Jacquard's optimism, and some helpful advice, Jojo returns home to carry out the perfect murder...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Becker
  • Script: Jean Becker, Sébastien Japrisot, Sacha Guitry
  • Cinematographer: Jean-Marie Dreujou
  • Music: Pierre Bachelet
  • Cast: Jacques Villeret (Jojo Braconnier), Josiane Balasko (Lulu Braconnier), André Dussollier (Maître Jacquard), Suzanne Flon (La maîtresse), Gérard Hernandez (Jacky), Roland Magdane (Le patron du café), Valérie Mairesse (Magali), Maryse Deol (La mercière), Jenny Clève (Mme Bertrand, l'épicière), Daniel Prévost (L'avocat Miramont), Jacques Dacqmine (Le président Laborde), Jean Dell (Le juge Frégard), Christine Delaroche (Geneviève, la secrétaire de Jacquard), Eric Bougnon (Le gendarme Briscot), Armand Chagot (L'adjudant), Dominique Lavanant (Mme Goutilleux, la pharmacienne), Michel Bonnet (Le procureur), Jean-Michel Martial (Jacky Lévêque, l'infirmier), Olivier Garnier-Comte (Prisoner), Clarisse Baffier
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 89 min
  • Aka: A Crime in Paradise

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright