Film Review
After his promising debut feature
Captifs (2010), a gruesome but
compelling entry in the survival thriller line, Yann Gozlan tackles a
more quintessentially French kind of thriller, one that is so close to
René Clément's
Plein soleil (1960) that it
almost qualifies as a remake. Gozlan admits that the main
inspiration for
Un homme idéal
was the Patricia Highsmith novel
The
Talented Mr Ripley on which Clément's classic thriller is
based. Other influences include the films of Claude Chabrol
(notably
Le Boucher) and Alfred
Hitchcock, as well as Jacques Deray's sumptuous
La
Piscine (1969), which is shamelessly referenced in the
second half of Golan's film with its sunny Riviera setting.
Given that its plot revolves around literary theft, it is perhaps
fitting that Gozlan's film should be jam-packed with so many readily
identifiable cinematic allusions - after all, one's man outright
plagiarism is another man's affectionate homage. It is however
curious that the story should be so similar to that of Brian Klugman's
American film
Words (2012),
which was itself accused of ripping off Swiss author Martin Suter's
romantic novel of 2004,
Lila, Lila,
adapted into a film of the same title in 2009. There's nothing
new under the sun.
Un homme idéal may not
be exactly brimming with originality but it makes an effective little
thriller, stylishly shot and meticulously designed and edited to
extract as much tension as possible from its somewhat mechanically
constructed plot. In contrast to the cool, amoral hero of
Highsmith's famous Ripley novels, the protagonist in Gozlan's film is a
panicky loser who falls apart in his attempts to follow Ripley's
example, namely resorting to ever drastic measures to conceal a
comparatively minor crime, the usurpation of someone else's identity
(by stealing his work). It's a gift of a part for Pierre Niney,
who last year shot to stardom with his lead performance in Jalil
Lespert's
Yves Saint Laurent (2014), for
which he won the Best Actor César in 2015.
The talented Mr Niney shows us what Tom Ripley might have been if he
had a conscience and had been less well fated by the gods - a weak con
artist totally ill-equipped to deal with the nightmare he creates for
himself. It all starts out so easily for success-hungry Mathieu,
but as he soon discovers the hard part about fame is not finding it,
but holding on to it. As his life spirals out of control, Mathieu
morphs from a likeable but complacent innocent into a desperate, sweaty
neurotic, and it's a credit to Niney that, no matter how far-fetched
the plot becomes, his tragic character remains convincing and
sympathetic throughout.
Un
homme idéal ultimately collapses under the weight of its
badly fielded contrivances but its slick presentation and a strong
central performance make up for this, even if it does end up looking
like a pale imitation of the other films it references so
glibly.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Mathieu, a man in his mid-twenties, dreams of making his name as an
author. He has written a book, but despite his best efforts he
cannot find a publisher and he refuses to accept the truth - that he
has no talent as a writer. Whilst waiting for success to come his
way, he earns a living working for his uncle's removals company.
This is how he happens to come across the forgotten manuscript of an
old man who has recently died. After some soul searching, Mathieu
decides to write up the manuscript, a spectacularly well-written
firsthand account of the Algerian War, and submit it to a publisher
under his own name. The book proves to be a huge success and
Mathieu finds himself catapulted into the glamorous world of the rich
and famous. Once the euphoria of being a published author has
passed, Mathieu finds himself up against the insurmountable obstacle of the second
novel. Hounded by his publisher and his creditors, knowing that
his comfortable new life is about to slip from his grasp, he suffers a
creative block. To add to his woes, he is then contacted by a
stranger who seems to know his dark secret...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.