Film Review
Johnnie To, one of Hong Kong's most highly regarded filmmakers, links
up with Johnny Hallyday, France's premier pop icon, and the result of
this cultural clash is an explosive gangster film that is stylistically
brilliant but almost totally lacking in substance. To clearly
intended
Vengeance to be a
homage to the gangster films of Jean-Pierre Melville - why else would
he name the main character after the hitman played by Alain Delon in
Le
Samouraï? Whilst the director manages to recreate
the ambiance and tone of Melville's films - superbly so in some
sequences - there is very little beyond this to sustain the spectator's
interest.
The film would have had more going for it if more care had gone into
the screenwriting. As it is, the characters are comicbook
stereotypes, the plot contrived and predictable to the point of
ridicule - in fact there is virtually nothing to engage the intellect,
just endless self-conscious spectacles of carnage punctuated by
long passages of plodding tedium. Hallyday was hired only after
Alain Delon turned down the lead role, and it's not hard to see
why. The ageing popstar looks uncomfortable, and a tad
ridiculous, in a film that makes effective use of his imposing
silhouette and sombre personality but offers little in the way of
character depth.
Vengeance
would seem to be a rather hollow exercise in imitation for the sake of
imitation.
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
A man named Costello arrives in Hong Kong, ostensibly to find work as a chef.
In fact, he is here to avenge the death of his daughter and
her family, who were savagely slain by hired killers. Costello
is uncertain of his past, but he is sure of his present.
He immediately sets about hiring a band of professional
killers to find and hunt down his daughter's murderers...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.