Film Review
One of the most compelling and frightening examples of the
psycho-thriller genre,
Wait Until
Dark is a superlative adaptation of the successful stage play by
Frederick Knott, whose earlier play
Dial M for Murder had been made
into a film by Alfred Hitchcock. It was directed, with great
flair, by Terence Young, who had just completed three of the early (and
most highly regarded) James Bond films. The film marks a creative
highpoint for Young and is easily one of his greatest achievements,
surpassed only by his Bond masterpiece
From Russia with Love.
The film effectively recreates the claustrophobic feel of the original
play by having virtually all of the action take place in one setting,
the victim's cramped basement apartment. By slowly ratcheting up
the tension, Young lures his unsuspecting audience into the nightmare
that is experienced by the film's vulnerable heroine, played with
harrowing realism by Audrey Hepburn, stunning in what is possibly her
best purely dramatic role. Alan Arkin is equally impressive as
the villain of the piece, a leather-clad fiend of the kind that gives
knife-wielding demonic psychopaths a bad name.
The last fifteen minutes of
Wait
Until Dark are among the most terrifying you will find in any
film, the suspenseful drama driven to a fever pitch of hysteria and
horror by some truly inspired direction and acting. As, one by
one, the lights go out, the audience not only identifies with the blind
victim, but
becomes the
victim, feeling every ounce of her fear and desperation as she fights
for her life against a ruthless killer. Some cinemas heightened
the experience by switching off their lights during the unforgettable
denouement as Hepburn and Arkin battle it out in their frantic game of
cat and mouse. To get the full impact, you must watch the film
alone in a completely darkened room, preferably in the dead of
night. That way, you will be guaranteed a viewing experience you
will not forget in a hurry - and a
very
sleepless night...
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Terence Young film:
Mayerling (1968)
Film Synopsis
On his return to New York, photographer Sam Hendrix is met by a woman
he has never met before who asks him to take care of an antique
doll. She assures him she will collect it from him later.
Unbeknown to Sam, the woman, Lisa, is in the employ of drugs smugglers,
and the doll is stuffed with heroine. The next day, Lisa's dead
body is found in Sam's apartment by a pair of small-time crooks, Mike
and Carlino. The latter have been summoned here by Roat, a
ruthless gangster who offers them a large sum of money if they can recover
the missing doll. With Sam away on business, Mike finds it
easy to win the confidence of his blind wife Susy. He explains
that a doll which Sam was recently given may connect him with the
recent murder of a young woman. Anxious to save her husband, Susy
allows Mike to search her apartment for the doll, but it soon
becomes apparent that it is no longer there. His patience
exhausted, Roat disposes of his two employees and decides to tackle
Susy himself. But she is not as helpless as she appears...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.