Film Review
Windbag the Sailor marked the
beginning of Will Hay's successful partnership with his two long
suffering stooges Moore Marriott and Graham Moffatt (although the
latter had appeared in Hay's previous film
Where There's a Will).
The winning trio would feature in some of Hay's best-loved films,
including the classics
Oh, Mr. Porter! (1937) and
Convict
99 (1938), providing a typically British riposte to the Marx
Brothers with their penchant for slapstick and anti-authoritarian
tomfoolery.
Whilst not the best of Will Hay's films,
Windbag the Sailor is entertaining
enough, with its amusing send-up of the
Mutiny on the Bounty and (now)
politically incorrect portrayal of South Sea islanders (as cannibals
who are easily fooled into thinking that a radio has a divine
purpose). The comedic high point is the inspired sequence in
which Hay and his two hapless companions try to work out the position
of their ship. By dividing the distance travelled by the position
of the sun they somehow conclude that they have arrived in Birmingham,
after having circumnavigated the globe at least two times. The
rambling madcap plot gets in the way a little too often but Will Hay's
comic genius and the high gag quotient keep us laughing through what is
really a very, very silly film.
© James Travers 2009
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Film Synopsis
Captain Ben Cutlet is fond of regaling one and all with tall tales of
his nautical adventures. The reality is that, whilst he claims to
be an old sea dog, he has never captained anything larger than a canal
barge. The wealthy widow Olivia Potter-Porter is so
impressed with Ben that she decides he will be the ideal person to
captain one of her ships, the
Rob Roy.
Mrs Potter-Porter's business partner, Yates, agrees, but for different
reasons. Since the ship is no longer sea worthy, he intends to
have it scuttled at sea so that he can claim on the insurance.
Seeing that Captain Cutlet is obviously a fraud, Yates realises that he
would make the perfect scapegoat when the ship goes down...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.