Au diable la vertu (1953)
Directed by Jean Laviron

Comedy

Film Review

Abstract picture representing Au diable la vertu (1953)
Some ebullient performances make this rather convoluted farce entertaining - watch out for Louis de Funès in one of his early supporting roles.  As usual, the narrative is driven by a seemingly endless series of improbable mix-ups of identity, but some of the jokes are actually quite good.  The film's highpoint is the hilarious sequences where the investigating judge and his entourage attempt to identify a love bite on a witness' upper thigh - you wouldn't find that kind of thing in an American film of this period.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Pierre has to resort to desperate measures when his wife Gisèle finds out he was away from home one night.  To prevent his wife from discovering he has a mistress, he realises he needs to concoct a water-tight alibi.  To this end, he offers a stranger, Robert Crémieux, a large sum of money if he will pass himself off as an old friend and tell his wife that they spent the evening in question together.

The plan might have worked if it wasn't for the fact that Crémieux is a crook and at the time he claims to have been whiling away a pleasant evening with Pierre he was in fact engaged in a spot of burglary.  Far from providing Pierre with an alibi for his own misdemeanour, Crémieux effectively makes him an accomplice in his crime.  Things look bleak for Pierre when the burglar's victim identifies him as the man who raped her in the course of the robbery...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Laviron
  • Script: Jean Laviron, Jean Guitton (play)
  • Cinematographer: Roger Dormoy
  • Music: Daniel White
  • Cast: Henri Génès (Pierre Montabrel), Liliane Bert (Gisèle), Julien Carette (Tellier), Maurice Régamey (Jacques Lambert), Félix Oudart (Le chanoine Clément), Lili Bontemps (Monique), Simone Paris (Véronique de St-Hilaire), Louis de Funès (Lorette, le greffier), Josselin (Maître Nivert), Albert Rémy (Henri), Frédéric Bart (L'inspecteur Perrini), Gaston Orbal (Demorey), Jim Gérald (L'agent de Rita Johnson), Nicole Jonesco (Hélène), Crésus (Le fiancé d'Hélène), Jack Ary (Le gendarme de garde), Catherine Gay (Rita Johnson), Robert Vattier (Le juge d'instruction), Christian Duvaleix (Robert Trémieux), André Dalibert (Spectateur du strip-tease)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 90 min

The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright