Film Review
This is precisely the kind of film that illuminates the difference -
far more gap than gulf - between my French friends who are also film
buffs and myself. The average English film fan will never
get to see a 'domestic' movie like this unless he has the time,
inclination, ease of access and wherewithal to visit Paris regularly
(as I do) and gorge on the salles and FNAC. Living in a London
starved of French films - in a good year we may see 20 out of the three
hundred or so produced annually - I tend to derive more enjoyment from
- and praise accordingly - the kind of domestic film that still remains
something of a treat for me whilst my jaded French friends can see the
equivalent at least 40 weeks a year in the salles and roughly once a
week on TV. So six years ago, I was delighted to see this charmer
on its initial release.
Despite a wealth of experience and professionalism, the stars of this
two-hander, Marina Foïs and Julien Boissellier, are virtually
unknown here in the UK. With the notable exception of the
wonderful
Clara et Moi (which received
only a couple of screenings), Boissellier has usually been peripheral
in the films seen in the UK, e.g.
Female
Agents and
Don't Worry, I'm
Okay. The plot of
J'me
sens pas belle is wafer-thin and, as with any two-hander, the
acting needs to be exceptional to keep us watching. No
problem. Foïs and Boissellier can hold their own with anyone
working today.
Foïs plays a thirty-something (both actors are the same age and
were 34 at the time of shooting) who's had just about one
one-night-stand too many and is looking for something a little more
permanent. With this is mind, she invites colleague Boissellier
to dinner at her flat with seduction to follow, although he is only hip
to the first course. The feel-good factor kicks in from the first
with Foïs' preparations which include secreting a condom where it
will do the most good at the optimum moment, stretching a second until
it escapes her fingers and lodges in a guitar, and more on the same
lines. Another fine actress, Isabelle Nanty, provides an
off-screen voice to good effect. In short - and it is short by
today's blockbuster standards - this is a delightful film which I am
happy to own on DVD and return to now and again.
© Leon Nock (London, England) 2010
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Film Synopsis
Fanny, 30 and single, has decided it is high time she hooked a
man. Having selected her victim, a colleague named Paul, she
invites him to dinner. Little does he know what she has in mind
once the dinner plates have been cleared away. Everything starts
out as planned. Paul arrives at the appointed hour. Light
music and dimmed lights create just the right ambiance for a romantic
evening. Fanny has caught her man, and he has absolutely no
chance of slipping through her clutches...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.