Film Review
This unusual comedy-drama, about an everyman-type trying (and failing) to cope
with the male menopause is the first full-length film from actor-turned-director Sam Karmann.
The film is adapted from a novel of the same title by Jean-Paul Dubois,
first published in 1996, and follows Karmann's acclaimed 1992 short film,
Omnibus, which won both the Palme d'or at Cannes
and an Oscar. Taking the lead roles are Jean-Pierre Bacri, alongside whom Karmann
had appeared in both the stage and film versions of Bacri's play
Cuisine et dépendances, and Nicole Garcia, an actress who had recently begun
to make a name for herself as a director with such films as
Place Vendôme (1998).
Bacri is well-suited for the lead-role, having effectively made a career of playing
depressed and/or neurotic middle-aged man.
Kennedy et moi is an engaging film that
tackles the subject of depression and ennui with a sense of irony and a welcome dose of
political incorrectness. It is a thoughtful reflection on modern life, with situations
that alternately shift between the realistic and the frankly bizarre, with no apparent
loss of continuity. There have been so many
films recently, particularly in French cinema, which mull over similar themes, and it's
not clear that this film has much more to say on the subject of mid-life crisis.
However, Karmann's cinematic style is refreshingly innovative - sombre but not grim,
elevated above the mundane by its downbeat comic embellishments. Jean-Pierre Bacri's tragicomic portrayal
of a man who is losing his grip on reality certainly makes this a film worth seeing.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Simon Polaris is going through the mother of mid-life crises. Despite
being comfortably married with two children and a successful career as a
writer, the 48-year-old has arrived at an impasse in his life. Afflicted
with a severe case of writer's block he can no longer work. His teenage
children are driving him out of his mind, and it hardly matters to him that
his wife has embarked on an extra-marital affair with his doctor. To
put it simply, Simon has reached the end of his tether. Not really
caring whether he lives or dies or ends up in a lunatic asylum, he begins
consulting a psychiatrist. The latter is a strange man who continually
clasps a watch in his trouser pocket. Simon is surprised to learn that
the watch originally belonged to the U.S. president John F. Kennedy, and
was on his person when he was assassinated in 1963. From this moment,
Simon becomes obsessed with the watch and its ill-fated owner...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.