Liberté-Oléron (2001)
Directed by Bruno Podalydès

Comedy
aka: Freedom-Oléron

Film Review

Abstract picture representing Liberte-Oleron (2001)
Bruno Podalydès' second feature - after the charming romantic comedy Dieu seul me voit (1998) - is a deliciously tongue-in-cheek satire on that most hallowed of French institutions - the family summer holiday.  Once again, Podalydès' brother Denis takes the lead role, another middle-aged neurotic that seems to lie somewhere between Mr Bean and Jacques Tati.  The central character is a middle-aged father who takes his leisure activities a little too seriously, so seriously in fact that he comes within a hair's breadth of killing himself and his entire family in the process.  We all the know the type - the manically hyperactive 30-something who, have missed his vocation to be a sports instructor or paratrooper in the SAS, consoles himself by making every holiday feel like a stint of national service or an expedition to the South Pole.  As Jacques' idée fixe takes hold and gradually transforms a peaceful holiday by the sea into a near approximation of a disaster movie, the spectator is uncertain whether to choke with laughter or start a campaign to have irresponsible parents lobotomised.

Liberté-Oléron is the Podalydès brothers' most inspired and enjoyable film to date, and whilst their portrayal of the average French family does veer somewhat towards outlandish caricature, the film nonetheless feels distinctly true to life.  Denis Podalydès may come across as the biggest threat to children since King Herod, but it is surprisingly easy to sympathise with his character as, despite his best intentions, his holiday turns into a re-enactment of The Poseidon Adventure.  Generally, cinema's representations of the family are seldom convincing - if they are not drenched in lovey-dovey sentimentality of the most toe-curling variety they are cruel black comedies that look as if were conceived to put you off parenthood for life.  The Podalydès brothers' film lies comfortably between these two extremes; despite its heavily ironic tone and healthy dollops of dark humour, Liberté-Oléron is an affectionate tribute to the resilience of the family unit.
© James Travers 2011
The above content is owned by frenchfilms.org and must not be copied.
Next Bruno Podalydès film:
Le Mystère de la chambre jaune (2003)

Film Synopsis

Jacques is determined to make the most of his summer holidays on the island of Oléron.  His wife Albertine may be content to lounge around on the beach and dream of ways to improve their second home, but he is a man of action and intends to make this an adventure that he and his four children will remember for the rest of their lives.  He fulfils this ambition, but not in quite the way he intended.  When his youngest son loses his toy submarine in the sea, Jacques makes up his mind to buy a small sail boat so that he can take his family to the island of Aix, just five kilometres away.  Duped by an unscrupulous boat dealer, what Jacques ends up with is a second-hand rust bucket that is barely seaworthy.  Undeterred by a few minor setbacks, such as discovering that his new motor is defective, Jacques embarks on his grand adventure.  Isn't it strange how holidays almost always end in disaster?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Bruno Podalydès
  • Script: Bruno Podalydès, Denis Podalydès
  • Cinematographer: Giorgos Arvanitis
  • Music: René-Marc Bini
  • Cast: Denis Podalydès (Jacques Monot), Guilaine Londez (Albertine Monot), Patrick Pineau (Gaboriau), Arnaud Jalbert (Benoît Monot), Ange Ruzé (Anatole Monot), Lou-Nil Font (Frédéric Monot), Jean Podalydès (Nicolas Monot), Marie Diot (Caroline Lorcy), Eric Elmosnino (Sergio, the mechanic), Bruno Podalydès (Chevreteau, the boat seller), Marie-Armelle Deguy (Florence Lorcy), Philippe Uchan (Eponge, the lock keeper), Jean-Noël Brouté (Kids entertainer1), Cécile Bouillot (Kids entertainer 2), Estelle Chailloux (Cynthia, a friend), Poulou (A customer), Anne-Françoise Brillot (A shop-seller), Alain Charlet (Guy, the whistling sailor), Cécile Assie (Florence Lorcy's daughter 1), Marion Estienne (Florence Lorcy's daughter 2)
  • Country: France
  • Language: French / English
  • Support: Color
  • Runtime: 112 min
  • Aka: Freedom-Oléron

The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright