L'Inconnu dans la maison (1992)
Directed by Georges Lautner

Crime / Drama
aka: Stranger in the House

Film Review

Abstract picture representing L'Inconnu dans la maison (1992)
Georges Lautner was the third film director to adapt Georges Simenon's novel Les Inconnus dans la maison.  After Henri Decoin's masterful 1942 version (which starred the acting legend Raimu ) came Pierre Rouve's lacklustre  Stranger in the House, released in 1967 and starring James Mason.  In updating the original novel to a contemporary setting, Lautner manages to lose much of the atmosphere and psychological depth of Simenon's work, so whilst the film is competently made, it is essentially little more than a conventional court room drama.  Far from being the action hero of previous decades, the ever charismatic Jean-Paul Belmondo still dominates the film and gives what is most probably one of his better film performances.  The actor's real life sister, Muriel Belmondo, appears in the film, playing his cousin.
© James Travers 2005
The above content is owned by frenchfilms.org and must not be copied.
Next Georges Lautner film:
Arrêtez les tambours (1960)

Film Synopsis

Since his wife committed suicide ten years ago, Jacques Loursat, a once renowned lawyer, has lived the life of a recluse, dousing his sorrows in alcohol and self-pity.  He shares his large empty house with his teenage daughter Isabelle and a housekeeper, but he scarcely has a word to say to either of them.  On returning home one evening, Loursat hears a sudden gunshot and then catches a fleeting glimpse of someone running away.  To his surprise, he finds a young man he has never seen before lying dead in one of his rooms, apparently shot through the heart.

The criminal investigation soon gets underway and the dead man is identified as a drugs dealer, Joël Cloarec.  The most likely suspect is Isabelle's boyfriend, Antoine Manu, who had a clear motive for murdering Cloarec.  Loursat is the only person - other than his daughter - who is unconvinced of Manu's guilt.  Unable to sit by and see an innocent man convicted, he decides to come out of retirement to take charge of Manu's defence.  At first, from the testimony of the witnesses, the case against Manu appears pretty damning, but then, in the course of Loursat's meticulous investigation, another possible suspect emerges...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Georges Lautner
  • Script: Jean Lartéguy, Georges Lautner, Bernard Stora, Georges Simenon (novel)
  • Cinematographer: Jean-Yves Le Mener
  • Music: Francis Lai
  • Cast: Jean-Paul Belmondo (Loursat), Renée Faure (Fine), Cristiana Réali (Isabelle Loursat), Sébastien Tavel (Manu), François Perrot (Commissaire Bient), Geneviève Page (Bernadette), Pierre Vernier (Le president du tribunal), Jean-Louis Richard (L'avocat), Gaston Vacchia (Rogissart), Muriel Belmondo (Laurence Rogissart), Benoît Le Pecq (Arnaud), Sandrine Kiberlain (Marie), Olivier Belmont (Thomas Daillet), Yan Duffas (Pascal Abecassis), Nicholas Buffet (Joël Cloarec), Odette Laure (La patronne), Hubert Deschamps (Beaupoil), Guy Tréjan (Maitre Rimbaud), Mario David (Abecassis), Georges Géret (Ange Brunetti)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 104 min
  • Aka: Stranger in the House

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright